Ultra5280’s Best of 2018: Top Albums

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We have nailed down our lists of Best Albums for 2018. We also asked some of our best friends for their selections as well. Without further adieu we give you the 2018 edition of The Best Albums of 2018 presented by Ultra5280. Cheers to an amazing year in music and hopefully 2019 brings in the same.

Robert Castro / Editor In Chief Ultra5280

Amy Osgood- President of The Tobias Krause Fan Club

  1. Florence and The Machine- High As Hope

  2. Kanye West- Ye

  3. Kacey Musgraves- Golden Hour

  4. St. Vincent- MassEducation

  5. Nathaniel Rateliff & The Night Sweats- Tearing At The Seams

Bruce Trujillo- Programming Assistant-Open Air

  1. Mountain Man- Magic Ship

  2. Black Panther Original Soundtrack- Kendrick Lamar

  3. Lucero- Among The Ghosts

  4. La Luz- Floating Features

  5. Vic N The Narwhals- Los Narwhals

Tobias Krause- Event Director -Underground Music Showcase

  1. Deezie Brown- Self Titled

  2. SiR- November

  3. Unknown Mortal Orchestra- Sex & Food

  4. Oxeye Daisy- Self Titled

  5. Dragondeer- If You Got The Blues

Zoe Lanterman- Marketing Manager- Live Nation Colorado

  1. Snail Mail- Lush

  2. Beach House- 7

  3. Jungle- For Ever

  4. Moaning- Self Titled

  5. Superorganism- Self Titled

Peter Wallace- General Manager- Do303

  1. A Star Is Born Soundtrack (with dialogue)

  2. Kacey Musgraves- Golden Hour

  3. Houndmouth- Golden Age

  4. Brent Cowles- How To Be Okay Alone

  5. Morgan Saint- Alien

Joel Rekiel- Marketing Manager- Levitt Pavillion Denver

  1. Rainbow KittenSurprise-How To: Friend, Love, Freefall

  2. Fucked Up- Dose Your Dreams

  3. CupcakKe- Ephorize

  4. MGMT- Little Dark Age

  5. Muse- Simulation Theory

Shon Cobbs- Host- Behind The Scene Podcast

  1. Machu Linea- Girl

  2. Kramies- Of All Places Been And Everything The End

  3. The Milk Blossoms- Dry Heave The Heavenly

  4. Curta- End Of Future Park

  5. Four Fists- 6666

Virgil Dickerson-Fun Pusher-Illegal Pete’s

  1. Anderson Paak- Oxnard

  2. Shannon and The Clams- Onion

  3. Janelle Monae- Dirty Computer

  4. CupcakKe- Eden

  5. Father John Misty- God’s Favorite Customer

Ryan Garbarino- Marketing Manager- AEG Presents

  1. Mastersystem- Dance Music

  2. Twin Peaks- Sweet 17’ Singles

  3. Hop Along- Bark Your Head Off, Dog

  4. Amen Dunes- Freedom

  5. Typhoon- Offerings

Rikki Aston- Talent Buyer- Live Nation Colorado

  1. Nombe- They Might’ve Even Loved Me

  2. Lizzo- Big Grrrl Small World

  3. Parcels- Self Titled

  4. Greta Van Fleet- Anthem of The Peaceful Army

  5. Kikagayu Moyo- Masana Temples

Lina Skrzypczak- Music Lifestyle Writer-Ultra5280

  1. Black Moth Super Rainbow- Panic Blooms

  2. J Cole- KOD

  3. Cardi B- Invasion Of Privacy

  4. Kanye West- Ye

  5. Anderson Paak- Oxnard

Danny Sax- Talent Buyer- AEG Presents

  1. Zeal & Ardor- Stranger Fruit

  2. The Interrupters- Fight The Good Fight

  3. Daughters- You Won’t Get What You Want

  4. Pig Destroyer- Head Cage

  5. Behemoth- I Loved you At Your Darkest

Geoff Brent- Talent Buyer- Live Nation Colorado

  1. The Frights- Hypochondriac

  2. Culture Abuse- Bay Dream

  3. Anderson Paak- Oxnard

  4. nothing, nowhere- ruiner

  5. Let’s Eat Grandma- I’m all Ears

Q & A With The Talent Team Behind The Underground Music Showcase

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The 2018 edition of The Underground Music Showcase is mere days away and set forth to take over the streets of South Broadway once again. Under new leadership by Two Parts the festival is one of the ever-growing music events in our country. The talent team behind the event has been hard at work booking bands, creating daunting schedules and working on making it one of the most exciting years for the fest itself. Introducing new elements while maintaining the core of the music festival will be one of the highlights this year. An array of new stages are set to debut and provide for a true music festival experience. We had a chance to chat with the amazing team behind bringing and coordinating the amazing talent we will get to see. Tickets are still available and we also have a discount code for your three day pass. Use code: ULTRA5280 for $25 off a three day weekend pass.

TOBIAS KRAUSE / UMS EVENT DIRECTOR

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U5280: Who are you excited to see this year? 1 local and 1 national.

TK: National - I am over the moon excited about seeing Parallelephants and Deezie Brown. Both from Texas, they are two of the most unique acts on the bill. Locally, Motion Trap, RUMTUM, Nasty Nachos, wait... you said one? 

U5280:  Moving from a 4 day fest to a 3 day fest, did that make it easier for
booking?

TK: Not necessarily. With shortening the festival a day, we also decided to grow and expand within the three-day period. The allowed us to focus our efforts on packing in programming within those three days!

U5280: What new elements is UMS bringing this year as opposed to years past?

TK: Stay tuned... there will be a ton of new features, activations, pop-ups and more. But, we have a dream partner in Oskar Blues -- they are an ideal partner for the UMS, and have been incredibly helpful and supportive throughout this process.

U5280: Is there plans to feature music panels, guest speakers, workshops in the future?

TK: Yes. Hell yes.

U5280: In the past it seems like crowds wouldn’t venture farther north than say The Hornet, what do you haven place that will make them want to go further out this year?

TK: Multiple venues, and two outdoor stages. There’s a ton of stuff to do up North, and I encourage EVERYONE to check out what we’ve got in store. (See map layout info here)

U5280: How has the Baker community response been to this years festival and what are some of the more common issues you face with putting a festival of this nature in the neighborhood?

TK: They’ve been great, and super supportive.

U5280: With Two Parts taking over now, what does the future of The UMS look like going forward?

TK: Stay tuned...

JAMES IRVINE / HEAD TALENT BUYER / THE UMS

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U5280: Who are you excited to see this year? 1 local and 1 national.

JI: Tough call choosing one band out of this meaty lineup…but…I’m excited to see Alvvays headline our main stage on Sunday. They were the first act we confirmed this year.  Personally I’ve been following the band for a few years now.  Their trajectory is astonishing; selling out 1,000 cap rooms across the country.  I think their vibe and aesthetic fit UMS to a T.  Also, they’re Canadian.  I love hockey. 

Hands down the local band that I’m dying to see is Tarmints.  I was very excited when Kurt Ottaway reached out for a reunion performance at UMS; anything Ottaway touches is gold.  This band blew me away when they played Larimer Lounge.  I expect nothing less.  I hope I have the legs to make their performance at Hi-Dive on Sunday night.

U5280: What challenges do you face when booking the national acts?

JI: Our biggest challenge this year was simply the shortened timeline that was given to book the nationals.  Previous years we start the booking process in October/November, but with the transition over to Two Parts, we had only 3 months to pull it off.  Even with those time constraints, we all feel extremely proud with the work we have done.

Another challenge worth pointing out is we are throwing a summer festival not on a coast.  99% of bands/agents aren’t routing thru Denver in July. They typically hold off on summer touring, to focus on soft ticketed and/or festival plays. Meaning we are booking one-offs, which can really raise the price tag to make it worth their while. However, bands/agents WANT to play the festival, so that can also even things out.  Denver in late July is an attractive destination for a band. 

U5280: What new elements is UMS bringing this year as opposed to years past?

JI: Two Parts added three additional stages this year, “Imagination Stage”, “Sesh Stage” and, “Comedy Stage”.  These stages are loaded with both national and local talent including White Denim, Night Beats, Kadhja Bonet, Holy Wave, Brothertiger, Slow Caves, Casey James Prestwood & the Burning Angels, Duckwrth, Oka Tygra , The Builders and the Butchers and many more.  I’m excited to see the footprint of this festival grow, and see how it’s received.  

U5280: In the past  it seems like crowds wouldn’t venture farther north than say The Hornet, what do you have in place that will make them want to go further out this year?

JI: See question #6. 

U5280: With Two Parts taking over now, what does the future of The UMS look like going forward?

JI: Very, very bright.  The entire Two Parts team is dedicated, ambitious, incredibly intuitive, and responsible.  It’s been a pleasure working with them this year.  I truly see this becoming a national destination festival on a larger level very soon.  If we keep doing things the correct way, the press will catch up.  UMS is unique; I don’t know of any other festivals that combine a hard ticketed main stage, with a street fest.  I see it as a mashup of Northside Festival or CMJ (RIP), and a traditional fest such as Hopscotch or Osheaga.  It’s really ‘the best weekend of the year’.  I’m honored to be part of it. 

KENZI EVERITT / TALENT BUYER / THE UMS

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U5280: Who are you excited to see this year? 1 local and 1 national.

KE: Locally, I can’t wait for Wheelchair Sports Camp. It’s their first time playing the festival in quite a few years, and they are such a Denver staple. Rapping over electronic beats, a trumpet run through countless FX pedals, and live drums makes for an incredible show. Catch them playing at 12am on Saturday night (technically Sunday) at Gary Lee’s!

Nationally, PPL MVR is going to be wild. If you’ve ever wanted to see three people in the Denver heat wearing yeti suits, shredding, and head banging, then you’ll want to be at the Main Stage at 4:20pm (yes) on Sunday. 

U5280: What challenges do you face when booking the national acts?

KE: We work to provide them with some extra resources especially since this isn’t a typical show on a tour – What does lodging look like? How can we get them a burrito at Illegal Pete’s? How can we help with backlining gear so they don’t have to lug everything they have with them to the venue? And what can we do to make this experience special so they come back to Denver? 

U5280: What challenges do you face when booking the local acts?

KE: There are SO MANY incredible bands in this state. I am always blown away by how much talent there is, and how many bands/musicians I discover on a consistent basis. I wish we could put everyone into UMS, but I think it would literally be two weeks long. On that note, scheduling is a whole beast because of how active all these musicians are. I’m calling you out, Carl Sorenson. We have a whole google doc just with bands Carl is in. 

U5280: How many bands are playing this year?

KE: Somewhere between 300 – 350 bands/artists. We’ve still got some surprises coming your way!

U5280: Is there plans to feature music panels, guest speakers, workshops in the future?

KE: The intersection of music with other art forms is always incredible, and it’s going to be a focus this year. Stay tuned for more schedule details!

U5280: How has the Baker community response been to this year’s festival and what are some of the more common issues you face with putting a festival of this nature in the neighborhood?

KE: One of the main goals of UMS across all parties that have directed it has been to work with the neighborhood. We couldn’t do this without the support of the Baker neighborhood, and I think everyone involved has worked hard to make it something that is kind and welcoming to its neighbors through everything from neighborhood discounted tickets to cleanup crews leaving the grounds better than we found them. 

U5280: With Two Parts taking over now, what does the future of The UMS look like going forward?

KE: UMS has always been such a unique opportunity for music discovery, and I think Two Parts has fully embraced that idea while adding in food, beer and spirits, even more visual arts, comedy, with even more to come. The festival feels like it has an incredible energy backing it up, and the future looks pretty swell. 

KYLE HARTMAN / TALENT BUYER / THE UMS

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U5280: Who are you excited to see this year? 1 local and 1 national.

KH: Local- The House of Aura. Losing Trish Keenan was a huge loss for music culture, and the shadow of Broadcast still looms large over modern indie rock. Everyone from Melody’s Echo Chamber to Toro Y Moi was influenced by her. Deerhunter’s own Bradford Cox (headlining this year’s UMS) considered her his mentor. On a personal level, I’m constantly looking for artists who capture her spirit and continue building on the path she started. After hearing The House of Aura’s debut album that’s due in the fall, I think I’ve found an artist who is interested in going deeper into some of the realms she visited. The new project from wunderkinds Derrick Bozich (Sound of Ceres), Anna Smith, and Julia Mendiolea is an ethereal beam of light straight to the brain that will send you floating off into a crystalline dream. Do not miss their debut performance at UMS. 

National- Kainalu. Hailing from Madison, Wisconsin, is the recording project of Trent Prall, a former research geneticist who started Kainalu as a way to regain control of his own identity. His unique blend of tropidelic space funk crafted around masterful songwriting makes the pleasure center in your brain explode and creates a headrush that captures what it might feel like to walk into the ocean and suddenly find yourself not in the water, but flying through space. He’s assembled a four piece act to bring these songs to life on stage and the results are spellbinding. His first ever performance in Colorado is going to be something you won’t be able to get out of your head. 

U5280: What challenges do you face when booking the national acts?

KH: Booking national acts usually adds some additional hurdles as you have to figure out a lot of logistics that are not as big of a deal with local acts. For example, transporting tons of gear across the country can be tricky and requires working with our production team to figure out what gear we can provide to make it easier for artists everywhere to come out for the festival.

U5280: What challenges do you face when booking the local acts?

KH: Always and forever scheduling. We are so lucky to have an abundance of talented musicians in our Colorado community. The biggest double-edged sword is that many of them play in multiple bands. When we are scheduling performances we always have to take this into account. We want to ensure that musicians in multiple acts have enough buffer in between sets to relax and not have to worry about rushing their gear from one venue to the next. 

U5280: How many bands are playing this year?

KH: The number is in flux as we are still adding a few more acts, but we’ll have around 330+ artists this year. 

U5280: In the past it seems like crowds wouldn’t venture farther north than say The Hornet, what do you haven place that will make them want to go further out this year?

KH: This year we have two additional outdoor stages, the Imagination Stage on 2nd ave at Import Warehouse, and the Sesh Stage on 4th ave at Fentress Architects. This is going to create a very cohesive festival footprint for UMS this year. On every block from Alameda to 6th there will be something exciting happening. People are going to want to check out the beer festival happening inside the Sesh Stage, while others will be entranced by the art installations that will be springing up all around the Imagination Stage. Around the Sesh stage we have Moe’s BBQ, Banded Oak Brewing, and Baere Brewing, all fantastic venues that are going to see a lot more foot traffic. 

U5280: With Two Parts taking over now, what does the future of The UMS look like going forward? 

KH: It looks unbelievably bright, Two Parts creates experiences that are so intertwined with the identity Colorado is cultivating. UMS has always been a celebration of Colorado’s music and a DIY festival created by fans and artists who are truly passionate about music. These guys are master craftsmen at making DIY style events with character and that fill you with a sense of discovery. This was such a perfect fit for what UMS is about.  They can make people say, “I’ve never seen this before and it’s wonderful.” With Two Parts helming UMS, the possibilities are limitless. 

Robert Castro / Editor in Chief

Ultraversary 7 Artist Spotlight: South of France

Local talent duo, South of France is quickly making a name for themselves within Denver’s emerging indie-pop scene. Their dream pop undercurrents and sweet his and hers lyrics make for a familiar yet surprisingly fresh performance. The band was formed when intstrumentalist/producer/songwriter Jeff Cormack met singer/songwriter Kelly Lueke in Los Angeles back in 2012. Since then they’ve been able to share the stage with greats like Portugal. The Man and The Flaming Lips and as of this Saturday, local heroes Ultra5280!

South of France has been on our “Must See Acts at UMS” list for the past few years and it only made sense to ask them to be a part of our debut into the Colorado festival scene. (Coachella ain’t got nothing on our lineup – looking at you special guest DJ Tobias Krause).

South of France captures the art of the duet without the kitchiness that duos sometimes come with. Their melodies are dancey and rhythmic while their lyrics embody real emotion and experiences. We are honored to have them hail from our beloved town of Denver and even more honored to share the stage with them this weekend.

3 day wristbands are on sale now!

Tennis Delivers On Their New Album Yours Conditionally | Review

Patrick Riley and Alaina Moore comprise Tennis. Photo Credit: Luca Venter

Patrick Riley and Alaina Moore comprise Tennis. Photo Credit: Luca Venter

Tennis... according to Merriam-Webster is, a noun, often attributive | ten.nis | \'te-nes\ : an indoor or outdoor game that is played with rackets and a light elastic ball by two players or pairs of players on a level court (as of clay or grass) divided by a low net, or, in our case (thankfully)... one of the most exciting bands to come out of Denver in the last decade. Sure, they're known for getting hitched, buying a boat and cruising up and down the Eastern Seaboard writing songs that would eventually be the band's debut album Cape Dory, but let's face it... Tennis (the band) has done so. much. more.

There's something so perfectly subtle and innocent, yet edgy at the same time that emanates from the band's aura. Everything from the album teasers we've seen over the years (remember the hotline number they had us calling on repeat a few summers back?), to the music videos, and through the look and feel of the album artwork over the years. It all just feels right and fits perfectly together like a well-thought out puzzle.

The husband and wife duo of Alaina Moore and Patrick Riley consistently manage to evolve their sound in such an intricate way around every single piece of music that the band manages to muster up at just the right time. The band's new album, Yours Conditionally, which is due out March 10 on Mutually Detrimental via Thirty Tigers, is the band's fourth, and highly anticipated full-length album.

Yours Conditionally feels like a grand culmination of the Denver-based band's catalog. Over the last few years, Patrick Riley and Alaina Moore have managed to put together an extensive and diverse catalog of easy going pop songs that spoke to an often overlooked generation through upbeat, rhythm-heavy pop ballads that rarely grow tired. Backed by the one and only Jim Eno (Spoon, Future Islands, Telekinesis, and much, much more.) as producer, the band was able to let their wings spread and create something unique, fresh and memorable.

"At my request, we rented a cabin in Fraser, CO. Proper studios always feel a bit like a man-cave to me. I wanted to work in a more neutral space. We brought our own gear and gave ourselves two weeks to work. Our experience working with producers in the past gave us the confidence and understanding we needed to take the project on ourselves."- says Riley (describing the studio setting)

I'll be honest, it took me a few listens to really grasp the album, but after the third or fourth listen of, "In the Morning I'll Be Better," the album's first track -- I was hooked. It gave me that warm fuzzy feeling, like when you first get a tattoo and all you can think about is getting more tattoos, and then soon enough you're running out of space on your arm, so you decide to get a triangle tattooed on it. Which triangle? Isosceles, obviously. But, you see that short spiral I just went down? Yours Conditionally made me do that from start to finish, over and over again. Every time I listened, I found myself discovering something new. Something that made me feel a different way after each listen. There was something that kept pulling me back in some sort of Godfather style. I couldn't stop listening to it for a week or so. 

After the albums first track comes "My Emotions are Blinding," an emotional (no pun intended) track that's full of Moore's elegant, yet youthful vocals backed by Riley's cascading guitar licks that feel like they go on forever, and ever. The consistent drumming matches perfectly with its rhythmic brother on bass. It's catchy. It's harmonious and tells a story that feels like the band is putting on you to decide what it means.

"Baby Don't Believe," is a brooding track full of lo-fi channeling choruses and, wreaks of some sort of '70s Laurel Canyon influence that I can't quite put my finger on. Give the album a few spins and see what sticks.

Overall, this album is a confident and refreshing take on a band that is full of so much potential. Watching this band grow, develop and evolve has been an absolute pleasure, and as always, I can't wait to see what's next.

Plus, The band just released a commercial for the album starring Zosia Mamet ("Girls"), you can watch/share the video here.

-Tobias Krause

The band currently kicked off their tour this week which will take them through the end of March. They will be playing their hometown show on March 4th at The Bluebird Theater.

February 21                                                 Phoenix, AZ                                       Crescent Ballroom
February 22                                               San Diego, CA                                                  The Irenic
February 24                                             Los Angeles, CA                         The Roxy (SOLD OUT)
February 27                                                Portland, OR                                       Wonder Ballroom
February 28                                                 Seattle, WA                                                      Neumo’s
March 1                                                     Vancouver, BC                                       Biltmore Cabaret
March 3                                                  Salt Lake City, UT                                      The State Room
March 4                                                       Denver, CO                                          Bluebird Theater
March 7                                                   Minneapolis, MN                          Triple Rock Social Club
March 8                                                      Madison, WI                                     High Noon Saloon
March 9                                                        Chicago, IL                                                   Thalia Hall
March 10                                                      Detroit, MI                                             The Magic Bag
March 11                                                     Toronto, ON                                       Horseshoe Tavern
March 14                                                  Cambridge, MA                                              The Sinclair
March 18                                                  Philadelphia, PA                                    Underground Arts
March 19                                                 Washington, DC                                                 9:30 Club
March 21                                                   New York, NY                                      Bowery Ballroom
March 22                                                   New York, NY                                      Bowery Ballroom