Denver's Underground Music Showcase Reveals Initial Lineup For 2024

Summertime on South Broadway is synonymous with one thing and one thing only….The Underground Music Showcase, a three day celebration of musical bliss that takes over as the streets are lined with packed venues and makeshift stages that feature some of the best local and national indie acts. This yea’rs lineup boasts some amazing headliners along with 150+ local acts. From surf rock to hip hop, The UMS has a genre for everybody. With co-owners Youth on Record the festival continues to lead community based focused initiatives with more diversity, artist development, impact days and more.

Tickets are currently on sale and the festival runs from July 26th to July 28th.

Check out our 2023 Recap!

Bless This Mess It's UMS 2023: The Recap

Spill Tab performs at this years Underground Music Showcase. (Photo Credit: Aly McClaran)

For three glorious days in July, the Underground Music Showcase hits South Broadway, transforming mild-mannered restaurants, bars and storefronts into a supercharged Voltron of noise assembling annually in Denver’s Baker neighborhood. 

The 2023 UMS fully embraced the annual pilgrimage of revolution, evolution, and collective catharsis. From Banded Oak to the Skylark, revelers traversed the crooked pavement passed the zeroed-out cardinal heart of Broadway and Ellsworth to catch the amalgamation of rock, hip hop, metal, cumbia, shoegaze, and whatever the fuck Rad Dudes is this year. 

Jami Duffy of Youth on Record speaks during one of many panels at Impact Days. (Photo Credit: Robert Castro)

The festival has served as a launching pad for local talent and national artists alike since 2001. Homegrown music education nonprofit Youth on Record joined forces with Two Parts as co-owners in 2022, and in their sophomore outing, a clear commitment to community came into focus: Accessible spaces were at the center of planning efforts, as well as drawing visibility to sober initiatives, opening up of Impact Days professional development to the public, and literally crafting an Artist Care lounge replete with a meditation space, vitamin B-12 replenishments, and Dayglo-adorned textile installations from Meow Wolf artist, Andrea Fischer

UMS directors Jami Duffy and Casey Berry with Jessica Wallach. (Photo Credit: Robert Castro)

From the first notes of Friday, the UMS (lovingly and accurately also known as “you-a-mess”) was evident that it serves as a kind of Land-of-Misfit-Toys high school reunion. Though the absence of some notable buds was felt, at the heart remained the music. And, similar to the city itself, it remains a source of renewal, joyously chasing that promise of redemption by reinvention to create something new again. 

Here’s some highlights that you may have missed from UMS 2023

Friday:

Levi Double U rocking the 1’s and 2’s. (Photo Credit: Robert Castro)

Last year, Levi Double U brought donuts to open up the UMS - and though there weren’t any honey glazed at the Oasis Stage this time around, festival goers were definitely getting in the hole-y spirit dancing to the Denver producer, DJ, and drummer. Yum. 

Deva Yoder’s brand of dreamy Opry felt right at home at the Skylark on Friday early evening. Her spacey psych-country featured well-crafted harmonies and vocals channeling Bonnie Raitt, fittingly culminating in a proper late-’70s jam sesh to end the set on a soaring note. 

Jen Korte and the Loss occupied a similar orbital vibe at the newly christened UMS House (previously a distillery and … other establishments). Korte’s songs soared like sonic paintings, with each dynamic meticulously placed with purpose, her uber-talented backing musicians filling the space with their complementary brushstrokes and comets. Korte and crew are Americana Gothic at its finest. 

Speaking of spacey landscapes, UMS vets Corsicana (the project of Ben Pisano) creates shoegaze that feels like floating on a cloud, lulling an afternoon crowd at HQ into what can only be described as “the Denver sway.” It served as a lighter aperitif to the fuzzed out garage-folk of Becky Hostetler’s bellhoss, which rocked the rafter of Stoney’s as a cathartic Dinosaur Jr.-inspired dance party. 

Pink Fuzz bringing the rock to the Underground Music Showcase on day one. (Photo Credit: Robert Castro)

When it comes to crunch, Pink Fuzz is aptly named. In the first of two UMS sets, the Denver-based power trio brought their high-octane-buzzsaw-muscle-car sound to the Showcase Stage on Friday night. Pulpy Lemmy-esque riffs and pumping Pumpkins Siamese nightmares pummeled UMSers on a stage fit for the sound; their Saturday set also pounded eardrums numb in an unrelenting sweat-drenched set. Pink Fuzz has established a distinctive tone that, alongside literal sibling band The Velveteers, is something that can be thought of as “the Demitro Sound” - a Monster-Zombie motorcycle magnetar that leaves the throttle open the entire performance. 

It was a fitting transition to Des Rocs, another nonstop three-piece and one of the standouts of UMS 2023. Described by a bystander as “heavy metal Lost Boys,” the high-energy show smacked of Ram Jam and Queens of the Stone Age riffage, occasioning new-wave with a slight gothic bent while also evoking REM and Elvis (both Presley and even Costello, if you squinted hard enough). Needless to say, Denver slurped up the psychedelic Palm Desert puree without hesitation

Jamila Woods delivering on the soul vibes. (Photo Credit: Robert Castro)

Sultry, silky and smooth would be one of many ways to describe Jamila Woods. Her main stage set provided for a groovy and sensual set that brought out a close to the first day of the festival. The Chicago native shined as evident with her poetry background that translated over to her live set flawlessly. Woods has been making music on and off since about 2016 and we hope she continues to bless us with her soulful voice for years to come.

Last year’s mystery headliners Native Daughters once again closed out the night - and for those in the know, it was no surprise they scorched the inside of HQ to a well-done crisp, the scene of an infamous late-night Sailor Records show at 3 Kings Tavern (RIP). Returning to 60 South Broadway, the dual-drummer instru-metal volcanographers blasted their distinctive percussive assault again into the night. And as the final notes erupted in a conflagratory blast, both band and venue reminded UMSers that it’s possible to rise from ashes anew.

Photo Gallery: Robert Castro

Saturday:

It’s hard not to join in the movement at a Los Mocochetes show. And at the packed Underground Stage, it’s exactly what the crowd was called to do. An eclectic mix of cumbia, rock, funk and more, the genre-bending Denver group harnesses music as advocacy, their very name an amalgamation of “mocosos” (or “brats”) and “machete”, a tool that can be used for both cultivation and destruction, fitting for using dance as simultaneously healing and weapon. 

Hex Kitten kept the party going on the Oasis Stage on day 2 of UMS. (Photo Credit: Robert Castro)

During a break between songs, N3PTUNE shared a memory of his last-minute UMS set from 2021 that lit the fuse of one of Denver’s breakout creatives on the ascendancy. Flash-forward and a vision’s realization was evident on the 2023 UMS Showcase Stage. Flanked by backup dancers, choir singers, and accompanist Rusty Steve, the energy spilled into the crowd multiple times and reinforced what those lucky few knew back then - that N3PTUNE (don’t forget the ‘3’) is a consummate boundary-pusher whose continued rise feels foretold. 

Love or hate it, the re-emergence of pop-punk has also felt inevitable, like snakebite piercings eating their own. It wasn’t hard to walk by several venues to discover Manic Panic at the Drive Thru-inspired takes to pogo your heart-sleeved tattoos to. Take Provo, UT-based 19 Miles Per Hour, whose head-nodding set at the L evoked early-era Allister and Homegrown, culminating with bubble-blowing into the adoring crowd. 

Or Denver’s Bury Mia, whose Sugarcult-tinged vibes invited Stoney’s to look back at those Warped Summer Extravaganzas ($10 bottled waters notwithstanding). And though labels are useless for Plasma Canvas, the self-proclaimed “loudest, gayest band in the world” - who recently released their “Dusk” LP on vaunted SideOneDummy Records - lived up to their billing with blistering odes to skate punk-shred, lighting up HQ with their afternoon set that left ears ringing and transphobes running. 

Snotty Nose Rez Kids got the mosh pit started at The Underground Stage. (Photo Credit: Robert Castro)

Saturday was also a night of hip-hop at the Hi Dive. Set off with the Southern stylings of RO$$AY and smooth storytelling of Lane-O, the stacked lineup gave way to Snotty Nosed Rez Kids, hyping the room less than 90 minutes after their equally engaging Underground Stage set. 

Seattle’s Oblé Reed delivered smoothly crafted messages drenched in ‘90s influences, setting up the frenetic psych-freak-hop of surgical weirdos The White Moms. Closing down the night, 7 South Broadway was worked into a lather as Dirty Rotten Rhymers took the stage, tongue firmly in cheek, to announce their upcoming release “Bong Island” - a hit in the making.  

Photo Gallery: Robert Castro

Sunday: 

Kenny Cornbread is a ChatGPT combination of Ted Nuget and Bo Burnham. The line between tribute and parody can be a fine one, and the real-life Team Amerca’s pseudopatriotic dirges served as buzzing half-empty reminders of not to take fun seriously, knocking off the cobwebs and cracking open Day 3.

Crowds cheer on the return of Air Dubai. (Photo Credit: Aly McClaran)

Denver welcomed back travelers Air Dubai with open arms at UMS 2023, their performance marked the hip/rock group’s first since going on indefinite hiatus seven years prior. The in-flight entertainment didn’t disappoint, either: A perfect mix of energy and chill, it was a fitting Sunday Showcase Stage return that left the crowd hoping for more arrivals than departures in the future.

Spacecorpse giving UMS goer’s a heavier dose of music. (Photo Credit: Aly McClaran)

Nothing like beating back the Sunday Scaries with a dose of its own medicine, and that’s exactly what the brutal daylong lineup at Hi Dive delivered. Self-described “dystopian cyberpunk death metal” of Spacecorpse opened up the pit and Cobranoid tore through their hell-escaping high-octane speed doom, while the relentlessness of Denver monoliths Abrams and Cloud Catcher closed down it all down, leaving the room bruised whiplashed. 

Green Druid. (Photo Credit: Aly McClaran)

Speaking of heavy, stoner stalwarts Green Druid rolled up and smoked the Underground Stage at the conveniently timed 4:35 set. It’s a deserved step-up for the group, whose previous UMS performances left the Hi-Dive ablaze in a haze of breakdowns that Keep. Breaking. Down. True to their name, 2023’s set was all power-flower, no stems or seeds, culminating with a two-ton cover of the Nirvana classic, “Breed.” 

Within the darkness, there is also light. And though it’s tempting to write-off Skank Williams as a gimmick - ska-themed classic country might elicit eyerolls from the too-cool-for-school set - one listen to the group reveals a deep dedication and appreciation for both. Turns out combining The Slackers and George Jones results in one son-of-a-gun fun fusion dish. It was a fitting finish for the festival, an annual Jambalaya fit for kings and queens and in-betweens, proclaiming loudly and proudly that yes - UMS is still the best kind of mess. 

Virgi Dart was our breakthrough performer of the festival this year. (Photo Credit: Robert Castro)

We also had our chance to host our first ever UMS Day Party on Sunday and we discovered a gem after some last minute shuffling from our artist. Our Selena Tribute party wouldn’t have been possible without the talented Virgi Dart who was able to fill in last minute with her amazing tribute to Cumbia Queen Selena. Big thanks to our other artist Miggy Camacho who is the ambassador of salsa, cumbia, and latin music dj’s in our city. Our special guests The Mañanas and Neoma kept the party going with dance inducing bangers who had everybody twerking and more.

Homework: 

“Tecnicolor pop-witch” Cain Culto

Night Fishing, a mishmash of “jazz fuzz” 

Multi-instrumentalist namebackwards

Words by Cory Phare and Robert Castro

Photo Gallery: Aly McClaran

The 2023 Underground Music Showcase Lineup Announcement

The lineup for this years Underground Music Showcase has arrived. The annual gathering of music is set to take place once again along South Broadway to the tune of some of the best local and national acts. Our favorite weekend of the year boasts headliners Jamila Woods, Emmit Fenn, Crumb and more. Tickets are available now by clicking link below.

TICKETS AVAILABLE NOW

Our Favorite Moments and Things You Missed From The 2022 Underground Music Showcase

Crowds gather around the Underground Stage during The UMS (Photo Credit: Robert Castro)

UMS weekend came and went, and our biggest complaint? Three days of the Underground Music Showcase was not enough for us! Denverites came out in droves to South Broadway for this year’s UMS despite the August heat. 

This year’s UMS saw some growing pains, and some venues experienced long lines managed by stressed bouncers trying to keep under capacity. The festival’s growth has continued to fulfill the mission of its founders: giving local bands their deserved visibility. Friday and Saturday night were particularly fraught as South Broadway buckled under the traffic of thousands vying to get inside the small, packed venues. 

The Underground Music Showcase was founded back in 2001 as a single day festival to promote and support budding Denver artists, and to showcase the talented musicians that make our city unique. Since 2001, UMS has grown into a three-day affair that balances local acts with nationally recognized headliners. The beauty of UMS is that while you might be drawn to the festival by a band you’re listening to on a daily basis, you’re subsequently drawn into a small, intimate venue by the sound of some local act that quickly becomes a staple in your daily rotation. 

Packed crowds spilled over to the club venues each night during The UMS (Photo Credit: Aly McClaran)

The original ethos of the festival is alive and well, but as it grows in size and popularity, we’re curious to see if South Broadway will still be capable of hosting its favorite. 

Some venues allowed wristband-clad folks entrance to acts they had expected to draw smaller crowds. This unfortunately contributed to the capacity issue, as lines were nearing thirty to forty five minute waits at various open door venues. Requiring wristbands for all venues participating in UMS during the festival might streamline things. 

But on the other hand– who doesn’t love the egalitarianism of free things? The price of admission could be a limiting factor for some. Venues which took an open door approach feel aligned with the festival’s ethos, and it’s arguably more fair anyway, allowing those who might not be able to afford a full ticket to still attend some shows. 

Anyway, we’re going to break down our stand-out local acts before getting into our favorite headliners. 

Audrey Nuna headlines the first night of this year’s The Undergorund Music Showcase. (Photo Credit: Aly McClaran)

Friday:

The annual Denver independent music mainstay returned to South Broadway, where more than 150 artists descended on 14 venues from Friday through Sunday. And just as complimentary as the brewski-soaked Bud Bronson Skylark set, new festival co-owners Youth on Record provided sober activation spaces throughout the weekend, including an Artist Care Lounge at Chaos Bloom Theater, as an alcohol-free alternative that didn’t lose its edge. 

Levi Double U gave us two doses of dance vibes. (Photo Credit: Robert Castro)

Levi Double U

Producer for breakout Denver acts Neoma and Adiel Mitchell, Levi Double U is a force in his own right. And though the free donuts may have been the lure, it was the tasty house music of his outdoor Friday set at northernmost outpost Banded Oak Brewing that got festgoers kicking off the night at 128 bpm. 

Cheap Perfume put on one of favorite sets of the weekend. (Photo Credit: Aly McClaran)

Cheap Perfume

“Just be mindful … of everyone’s space around them,” Cheap Perfume’s Stephanie Byrne reminded the crowd at HQ before launching into the next song of the feminist punk band’s intense and unrelenting set. From fan favorite “It’s Okay to Punch Nazis” to guitarist Jane No’ scorching implore to burn it all down on “Put the Devil to Bed,” it was a fitting powderkeg of a  throwback to the space of 60 South Broadway’s roots as legendary punk and metal venue 3 Kings Tavern. 

Plasma Canvas

Holy shit, self-styled “loudest band in the world” Plasma Canvas lives up to the billing. Exploding through tracks from Side One Dummy debut KILLERMAJESTIC (recorded/produced at The Blasting Room by punk rock royalty Bill Stephenson), the Hi Dive shook from their fuzzed-out combo of Strung Out, Less Than Jake and a cinder block to the face. 

Green Druid

You can almost see the edges of the amps glowing like embers in a pipe during a Green Druid set. The Denver doom/stoner stalwarts dredged the transfixed audience through a reverb- and fuzz-soaked landscape that keeps breaking down even when you think it can’t break. Down. Any. Further. Weed not required - but it doesn’t hurt. 

Native Daughters

Surprise! Fresh off their Bluebird Theater headliner and recent Meow Wolf show, Native Daughters are officially back from the beyond. With two drum kits front and center, the Denver heavyweights pull no punches about what you’re about to get pummeled by. As surprise headliners to close down UMS Night One, they delivered with trademark precision and aggression… you know you’ve been to a Daughters show when you leave ears ringing, even after wearing earplugs. 

The Champs. (Photo Credit: Aly McClaran)

BBGT

As an embrace to the next chapter of normalcy, UMS Night 1 felt like a kind of surrender. Only fitting, then, that the back-to-back-to-back-to-back-to-back-to-back-to-back-to-back*-to-back-to-back UMS champs implored the crowd to launch into their best Rick Nielsen, sore and soaring into a temporary orbit above the reimagined Skylark’s Bobcat (née Pool) Room to close out Friday:

“Mommy’s alright, Daddy’s alright, they just seem a little weird…”

In an extended outro that was more than a Cheap Trick, they barked back in staccato that “IT’S-ALL-ALRIGHT.” And though it indeed may not have been in the grander sense of the word, for one beautiful mess of a weekend, it was about to be.


Front row crowd for The Knocks (Photo Credit: Robert Castro)

Saturday:

Saturday’s lineup was jam-packed with some of our favorites. We had to strategize and make sure we caught glimpses of all their sets. Temperatures were high but so were all the acts that took up residency along South Broadway. Here are some of our favorites.

Kid Astronaut taking us to another planet. (Photo Credit: Robert Castro)

Kid Astronaut

Jon Shockness has been a member of the Denver music scene for quite sometime now, honing his chops with Air Dubai back in the day, to being a featured on many projects among some of Denver’s best. Kid Astronaut is a culmination of years of hard work. The set was groovy, hyped, and a perfect way to get our day two started. A natural showman, Shockness tore through his set of introducing many to the future soul vibes that played out to his spaced themed moniker.

Ritmo Cascabel

A band we were anticipating the most was Ritmo Cascabel. Blending elements of cumbia and chicha, the music transports you to a tropical paradise, in this case the paradise was smack in the middle of South Broadway. Listening, all you want to do is dance. The band has a slew of shows coming up in the next months and we highly recommend catching their vibe.

The Knocks

New York part starters The Knocks proved worthy of their headlining set time on Saturday. The duo of James Patterson and Ben Ruttner unleashed their uncanny array of dance jams that has become synonymous with the band and their penchant for mixing genres such as disco, electronica, indie and more. Highlight of the night was their mashup of Whitney Houston’s “I Wanna Dance With Somebody” that erupted into a full on dance party in the Goodwill parking lot.

The Mañanas

The Mañanas drew a huge crowd to Skylark Lounge with a line trailing around the block. Their energy was infectious and their set was danceable and fun. The crowd was ready to reciprocate the good vibes during their Saturday night 10 p.m. slot, and we’re keeping our eyes on The Mañanas, excited for what’s up next for them.

Pink Fuzz

Pink Fuzz, the “high speed desert-rock” brain-child of The Velveteers’ Demi Demitro’s siblings John and Lulu drew a huge crowd at Hi-Dive. Pink Fuzz is clearly a local favorite. P.S., John Demitrio’s partner Ida, proprietor of local vintage clothing retail Ida and Moon, deserves a shout out as well. Check out her shop @Idaandmoon on Instagram for handmade leather goods and recycled western clothing. 

Flaural

Flaural remains a long-time Denver staple. Their complex, intricate layering and pedal work were evidence of a band that cares deeply about the music they’re making. Straying awaw from cheap tricks to motivate the crowd, Flaural played a studio-quality set at Hi-Dive right after Pink Fuzz on Saturday night. Both Flaural and Pink Fuzz played great sets despite the delay from Rahmakhandra, whose harpist struggled to load and unload their harp on Hi-Dive’s lofted stage and set back the schedule a bit.

Kaitlyn Williams

Kaitlyn Williams’ brought the energy to HQ on Sunday afternoon. The crowd sang along with Kaitlyn, whose stunning vocal riffs and pop-soul melodies made for a fantastic set. Her back-up singers and supporting band were a perfect complement to Kaitlyn, and the professionalism of their set felt both wholly authentic and finely tuned.


An all too familiar sign. (Photo Credit: Robert Castro)

Sunday:

The beauty of UMS is that it strengthens our local music community and it brings musicians together. Geese, a New York based psych-rock-jam band, played without a drummer who evidently slammed his finger in a door in the days leading up to the festival. A friend of a friend of mine named Andrew jumped up on stage and volunteered to step in for the rest of the set. At the end of the set, the crowd was chanting Andrew’s name. Moments like this are what makes UMS distinct from other festivals: it’s a festival that, despite its growth in popularity, remains an event for and by Denver’s homegrown music community. 

By bringing together local musicians and nationally recognized acts, there’s an artistic leveling. Smaller acts perform on the same stage as the bands playing hits you’ve heard on the radio, and the core integral values that UMS was founded on remain intact twenty years later.

Crowds gather at the entrance to the The Underground Stage. (Photo Credit: Aly McClaran)

Taking Back Monday on A Sunday (Photo Credit: Robert Castro)

Taking Back Monday (UMS Edition)

Sunday we decided to head out early in hopes of reliving our inner Emo pasts. The crew from Taking Back Monday brought their party to The UMS and we are glad they did. Playing a mix of the music that defined our youth, the party had nerf guns, piñatas, super soakers and more. If you missed their set be sure to catch them this weekend at Colorado is for Lovers Fest at Levitt Pavilion.

Don Chicharon bringing the cambia vibes. (Photo Credit: Robert Castro)

Don Chicharon

The latin vibes were alive and well during this years Underground Music Showcase as bands such as Neoma, Ritmo Cascabel, The Mañanas, Soy Celesté, DJ Polyphoni, Tres Leches, Bailey Elora, Jen Korte and The Loss, Los Mocochetes and Don Chicharon all graced us with their traditional sounds blending culture and music. Don Chicharon is no exception as the band encompasses vibrant sounds blended with a dose of afro-cumbia that makes us dance as we were filming a Tic-Tok video. Their mid-day set was enough to make it one of our favorites and we highly suggest catching them at their next show.

Bully takes the stage at The Underground Music Showcase. (Photo Credit: Aly McClaran)

Bully

Bully also known as Alicia Bognanno has been around for awhile now (surprisingly only her second time performing in Denver). We discovered Bully at SXSW a few years back at a small venue on Rainey Street and instantly fell in love. The love affair got lost during the years but was rekindled when their latest album SUGAREGG dropped, we were once agin reminded of why we fell in love. A culmination of all the hard work put in over the years the album played out live just as we expected. Denver hopes we can see the band again soon and we will be waiting with open arms.

Fay Webster had us catching feelings. (Phot Credit: Robert Castro)

Faye Webster

A perfect Sunday night set the vibe for one of the festivals closing sets. Faye Webster’s emotionally charged set brought about an eerie vibe to close out the 2022 rendition of The Underground Music Showcase. A blue-moody stage complimented her style as she tore through her hour plus set with her penchant for delivering her customary delicate well thought out lyrics and emotional undertones that brought random moments of silence to those witnessing her set. A perfect way to end a crazy three days of amazing music.

Until next year UMS…….

PHOTO GALLERY

Photos: Aly McClaran

Photo Credit: Robert Castro

Photo Credit: Robert Castro

Words: Robert Castro, Kendall Morris, and Cory Phare.

UMS 2022 Lineup and Our Must See Acts

The Underground Music Showcase is scheduled to take over South Broadway again this summer, July 29-31st, and we’re going to give you our UMS Top Eight. But before we dive into our Top Eight, we’re going to give you a little background information on the festival–just in case this is your first Underground Music Showcase. 

UMS is Denver’s annual three-day long music festival. Thousands of music lovers shut-down South Broadway and the surrounding Baker neighborhood for back-to-back acts on the main stages and inside local restaurants and venues. UMS was first minted back in 2001 as a single day festival to showcase local, underground artists, and to up their visibility on the Denver scene. In recent years, UMS has pulled headliners with national recognition (i.e. Shannon & the Clams and The Allah-Lahs in 2021), but they have continued to strike a balance by hosting both local, lesser-known acts and headlining well-established bands.

This year the festival will be co-hosted by local non-profit Youth on Record, a Denver-based nonprofit, who has joined Two Parts, a Denver-based entertainment company, to lead the Underground Music Showcase (UMS), the largest, multi-day music festival in Denver. As co-owners, Two Parts and Youth on Record will focus the UMS on Artistic Excellence, Community Impact, and Economic Sustainability, with a commitment to advancing opportunities for historically marginalized artists.


"By partnering with an organization with such deep roots and the full faith of the community, we gain the firepower to mobilize the community in new ways," says Berry, who led Two Parts' purchase of the festival from the Denver Post Community Foundation in 2018. "There's so much Two Parts and Youth on Record can do to build on each partner's existing programming and relationships to support artists and build the next generation of performers to carry the torch."

It’s safe to say that UMS is our favorite weekend of the year, and we’re stoked to see you there. Tickets can be purchased here.

BULLY

Hailing from Nashville Tennessee and recently signed with Sub-Pop Records, post-punk BULLY’s sound is reminiscent of Sleater-Kinney and Speedy Ortiz. 

JAWNY

Philadelphia-based JAWNY’s fun, funky and danceable hits are not to be missed.

Sun Room 

Sun Room brings solid surf rock in the vein of Mystic Braves, Levitation Room and the like. 

Slow Caves 

We first interviewed Denver-based Slow Caves back in 2017, and we’ve been watching their sets in Denver since 2016. With an obvious influence of 2000’s indie-rock and relatable, fresh lyricism, Slow Caves is a local staple.

Anthony Ruptak 

Ruptak is a Denver based singer songwriter. Ruptak writes and composes solo, and his lyrics stand out for their raw relatability:  “documents from the IRS/ and a silver can of gas/ I feel like such a fucking mess/ I should go out running”. Fans of Death Cab For Cutie and Sufjan Stevens, don’t miss Ruptak’s set.

 

Audrey Nuna 

Audrey Nuna is a hands-down must see. Nuna combines rap, R&B, trap pop, and rock. Her punctuated rap contrasts at times with her sparse, Moses Sumney-esque vocals. Her range is incredible, and she’s sure to bring the heat during her set at this year’s UMS.

The Mañanas

Local indie-pop group The Mañanas reminds us of bands like The Walters and Vacations. Their light-hearted, listenable, and fun sound brings an easy, summery vibe. 

Bailey Elora 

Last but not least, be sure to see local singer-songwriter, Bailey Elora. Elora is a platinum ambassador with local nonprofit and UMS partner Youth on Record and Elora has been playing shows around the Denver area for a few years now, and we’re excited to see her take the stage during this year’s UMS. 

Written by Kendall Morris

Youth on Record joins Two Parts to lead Underground Music Showcase

Under a new joint venture agreement, Youth on Record, a Denver-based nonprofit, has joined Two Parts, a Denver-based entertainment company, to lead the Underground Music Showcase (UMS), the largest, multi-day music festival in Denver. As co-owners, Two Parts and Youth on Record will focus the UMS on Artistic Excellence, Community Impact, and Economic Sustainability, with a commitment to advancing opportunities for historically marginalized artists.

Two Parts Founder Casey Berry and Youth on Record Executive Director Jami Duffy will serve as co-managers of UMS LLC, a new Colorado limited liability company. Berry and Duffy will share oversight of the festival's vision, values, programming, operations, and finances.

"By partnering with an organization with such deep roots and the full faith of the community, we gain the firepower to mobilize the community in new ways," says Berry, who led Two Parts' purchase of the festival from the Denver Post Community Foundation in 2018. "There's so much Two Parts and Youth on Record can do to build on each partner's existing programming and relationships to support artists and build the next generation of performers to carry the torch."

Duffy sees the Two Parts/Youth on Record partnership as a model for how nonprofits and music festivals can co-create just and sustainable sources of support while driving impact.

“Everyone keeps talking about new ways of doing things, post-COVID. For Youth on Record, co-owning and co-leading the UMS is a new approach to fulfilling our mission, earning revenue, and reaching more artists and community members," says Duffy. "The work of the UMS is aligned with our mission, making it not only a smart investment, but one that can have a big impact."

Duffy and Berry are betting on a bold idea that music festivals with a mission will have more staying-power – and ultimately generate more revenue. They hope foundations, philanthropists, Colorado Creative Industries, the Scientific and Cultural Facilities Districts (SCFD), and government agencies will take note of this community-centered approach.

New mission-driven elements include increases in payments to performing artists (starting at $200 per artist and $400 per band) and deeper diversity among performers, sober bars and other resources for artists who struggle with substance misuse, opportunities to support young and emerging creatives, and an Impact Show focused on providing mental health support resources to attendees. Impact Days, a two-day professional development opportunity for UMS performers, will be hosted and produced by Youth on Record. Future plans include a deeper focus on accessibility, internship and workforce pipelines, and outreach to introduce more Denver residents to the UMS.

"Music festivals have the unique power to bring huge groups of people together. Nothing else does this: not concerts, not art exhibitions, not conferences, not plays," says Michael Bracy, a Youth on Record advisor and national music policy expert. "The UMS is an incredible opportunity to reach, activate, connect with, and serve a large number of people, which is central to Youth on Record's strategy for innovation and change."

This year's UMS will take place from Friday, July 29 to Sunday, July 31, drawing more than 10,000 music fans to Broadway/Baker neighborhoods. With performances by hundreds of bands composed of more than 600 artists, the festival will be true to its roots while integrating new energy and new community programs, says Berry.

"Attendees can expect the same spirit of discovery, community, creativity, and fun that has defined the UMS for two decades," he says. "The mile-long strip of South Broadway will once again transform into a bustling community gathering space for artists, creators, musicians, and fans who can look forward to everything they love about the UMS – and more."

The Two Parts/Youth on Record partnership began to take shape last August. Spurred by a $1M grant from philanthropist MacKenzie Scott in June 2021, Duffy approached Berry to propose that Youth on Record come in as an owner of the UMS; the nonprofit served as the festival's charitable beneficiary for many years.

"We had the idea that if you center impact and introduce philanthropy to a music festival, you can create something really powerful," says Duffy, who brought the idea of buying into the UMS to the Youth on Record board soon after meeting Berry. "The pandemic made it clear that bold moves are necessary to drive change in our world. Youth on Record has always had a spirit of innovation and taking risks, so we were up for the challenge.”

Unlike most traditional music festivals, which measure success by financial performance alone (which struggle to make it, and often don't), the UMS will measure along a triple-impact bottom line of Artistic Excellence, Community Impact, and Economic Sustainability. Duffy and Berry intend to raise $200,000 from donations, foundation grants, and other philanthropic sources to cover increases in programming expenses not covered by ticket sales, corporate sponsorships, merchandise, and concessions.

“Youth on Record staff, board members, and volunteers used to sling beer at the festival; now the organization is a co-owner, which gives us a real seat at the table,” says Duffy, noting that the venture was unanimously approved by Youth on Record's Board of Directors. “It’s a risk, like any business opportunity. But it’s one worth taking.”

“With our powers combined, Two Parts and Youth on Record are excited to push the festival into new, interesting, and community-focused directions,” says Berry. “UMS has always been Denver’s festival, and we can’t wait to continue building it for our city.”

The UMS was founded by Denver Post journalists John Moore and Ricardo Baca in 2001.

Tickets to the UMS are on sale now. A portion of all sales will benefit Youth on Record.

For more information, visit Youth on Record's website.