New Headliners Announced For Westword Music Showcase!!! Tickets On Sale Now!

Westword Music Showcase presented by Breckenridge Brewery, is announcing two more co-headliners - CHVRCHES and Jai Wolf - joining previously announced co-headliners, JAUZ and Bishop Briggs! Plus announcing supporting National acts, The Knocks, Two Feet and The Wrecks - joining Crooked Colours, lovelytheband and Shaed.

This lineup is the biggest we've had in all of our 25 years of Music Showcase and we're letting *you* know first.

PURCHASE TICKETS HERE

About the Westword Music Showcase:

The Westword Music Showcase returns to the Golden Triangle on Saturday, June 29, 2019! For our 25th Westword Music Showcase, we’re cranking up the volume with national headliners JAUZ, Bishop Briggs, Crooked Colours, lovelytheband, SHAED + more to be announced, as well as more local bands than you can hear in a day, performing at venues throughout the neighborhood.

The Westword Music Showcase, the city’s largest single-day festival celebrating the music scene, will run from noon to 10 p.m. on June 29; tickets are on sale now! In honor of our 25th Westword Music Showcase celebrating local music in the Mile High, we’re selling the first 2,500 general admission tickets for just $25 each! A general admission ticket includes access to all participating venues, both outdoor stages and our merchandise village. The VIP experience includes access to all Showcase venues, a VIP entrance to the outdoor area, special viewing spaces by the two main stages, and a VIP lounge with VIP restrooms (VIP tickets are 21+ only).

Daughters, Gouge Away, and HIDE | The Gothic Theater | March 5, 2018

Justin Johnson's Dream Is Grind Is Putting Denver Hip Hop and R&B On The Map

Denver native Justin Johnson and his artist and entertainment company Dream Is Grind, is taking over Denver’s hip-hop and R&B scene!

Johnson lived a double life growing up as a beat maker and football player. He took off for Philadelphia for football, but had many run-ins with Philly’s rap heavy-hitters during that time.

Justin Johnson

Justin Johnson

“Beanie Sigel, Meek Mill, Jay-Z would be on our campus…That’s when I really fell in love with music and hip-hop because I was seeing the game right there. It changed my whole outlook. Meek Mill would be on my campus freestyling,” Johnson recounts.

Upon his homecoming nearly ten years later, he connected with producers and started making music with local artists. He hustled while working an unfulfilling full-time gig that didn’t drive him creatively or emotionally, “How I created my production company Dream Is Grind was out of depression honestly. I was going through a huge breakup. I was working in cooperate America. When you go through hard times and obstacles you really start to think about yourself. So I thought to myself ‘lemme go start my own business.’”

Dream Is Grind took off from there.

“My first artist that I managed was Lo-Pez, who happened to be Timberland’s nephew. The universe is crazy on how it connects you.” Justin elaborates on those first stages on building his company, “As far as the business aspect goes, I had to learn. [Attend] workshops. I had to put myself in the game. My focus was learning how to manage artists and building a studio from the ground up. Two years later I executive produced Lo-Pez’ first album W.I.P (Work In Progress).”

After this major project, Johnson and his company had established credibility within the local scene that got him some attention nationally. Dream Is Grind was contacted by a talent buyer out of Seattle to promote the Jacquees concert in 2018; which was later cancelled. The upset didn’t stop Dream Is Grind’s momentum as they went on to take two up-and-coming artists under their wing: Jay Triiiple & Chyreco.

Kush Groove, Dream Is Grind’s newest endeavor, is an urban focused live performance party thrown at Meadowlark celebrates its first anniversary this year. Dream Is Grind is celebrating by throwing a showcase of Denver’s musical talent at Ophelia’s.

Johnson talks about how the event came to fruition, “I saw a lot of division in the music culture out here. It’s very clique-y and not supportive. There are really good artists and I believe in Denver. So I wanted to produce a showcase that shows off Denver artists. We wanted to show people how to work together. It doesn’t matter what race you are or what background you have. I’m hoping that it’s entertainment it’s fun it’s networking. It’s a platform that’s the glue of these bridges that we have created.” The night features a diverse lineup of Denver artists: Soul singer Zach Maxwell, and R&B crooner Napalm, as well as additional performances by Adiel Mitchell, Mandy Groves and Yasi, DJ sets by KDJ Above and Destiny Shynelle.

What does Johnson hope people take away from his events and Dream Is Grind?

“Those people work hard. They believe in themselves. They care about Denver.”

Catch Kush Groove’s first anniversary celebration Thursday February 28th at 8pm at Ophelia’s.

DIG Flyer 1 year anniversary.jpg

Kiana Ledé Making A Splash In The R&B Scene

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Kiana Ledé is R&B’s most relatable, youthful female artist. “I want people to feel like they are heard and understood. I want to make extreme versions of everything. If you’re going through a breakup, when you’re talking about an ex, it almost doesn’t feel like there’s a silver lining. It’s more like ‘this sucks. I don’t know what to do.’ You're in this sad, confusing state and sometimes you just want to feel a certain way. Sometimes you should just feel that way.”

If this is a lesson on being in your feelings, then Ledé’s 2018 EP “Selfless” is the handbook. “Take It All” is reminiscent of India Arie: guitar riffs, soulful and gospel like, it’s a tale of heartbreak and hurt. Then there’s dark and brooding “Wicked Games” a bop sure to make you wail every lyric at the top of your lungs. Breakout single “Ex” has been getting major play on the Denver airwaves. Lede describes her first time hearing it on the radio:

“I was freaking out. I didn’t know what to say or what to think. I didn’t believe it was happening.”

It’s no shock, Ledé’s career shows no signs of slowing down. Back in October she opened for pop star Jessie J. Now she’s teaming up with songstress Ella Mai for a national tour.

“The difference between this tour and the one with Jessie J is my mental state. I’m a lot more prepared for this tour. I know a little bit more about what I’m doing.”

Being honest and vulnerable with her fans takes top priority during her shows and in her craft. “I’m not a good liar. I’ll always be an open book,” Lede says when asked about what she wants fans to take away from her music. “This is all I can be.”

Ledé being her truest self, is what has made her the heartfelt storyteller she is now and it looks like she’ll continue in the same theme of love and relationships, mental health, and overcoming struggle. Her next move move is approaching quickly, a full length album set for release in late spring. “[Fans] can expect a little more selfishness. My life has shifted on focusing on my own shit and myself. I was going through another breakup, so they can expect a little more maturity.”

We’re ready for Kiana to not hold back. Prepare yourself for a performance as dynamic as her songwriting.

-Demi Harvey

First Listen and Interview With Plastic Daggers

We had a chance to listen to the new Plastic Daggers album and catch up with the band to discuss some of the work that went into their newest EP. The album comes at you fast and hard utilizing each of the duo’s strengths to capture the brilliant essence of pure rock and roll at its finest. Plastic Daggers are cementing their way as one of the pure rock and roll acts in Denver with this EP. The full EP drops tomorrow and the band is celebrating with a release show this Saturday at Lost Lake!



1. What was the main inspiration behind the new album?
We’ve all had those days that we felt like just we couldn’t deal. A shitty day at work, a difficult relationship, or just struggling to process the outrage we’re all feeling on a broader level, it’s easy to get sucked down into the mire and sometimes it feels like there’s no way out. “Stitches” EP is inspired by those days. The songs on this album definitely have a darker, at times even bleak, vibe and represent a moment in time for us while making this record. For us, this record was a way to fight our way out of that darkness; to explore those feelings of frustration and discontent in our music and serve as an outlet for that aggression. We’re stoked that it’s finally here and excited to share that same outlet with anyone that needs it!


2. How does the process of coming up with a new song happen?
Every song comes about in its own way. Sometimes Jordan will bang out some crazy beat and that will be the basis for the rhythmic hook of a song. Other times it’s a lyric or a riff that’s the catalyst. It’s different every time! The biggest challenge for us, like many bands or artists is knowing when to call a song or project finished. For us, the songs tend to evolve a bit each time we play them and being able to say, “Yeah that one’s finished,” and move on is never easy! The next time you hear these songs live, they’ll likely have evolved slightly from what’s on this EP, but that’s just the nature of it.


3. Your new EP Stitches is about to drop, what was the biggest difficulty or challenge in putting it out?

For this record, we wrote and recorded the songs ourselves in our garage over a 2 week period. We wanted to do as much as we could ourselves on this one. Tracking and mixing everything ourselves came with it’s own challenges. It was quite the learning experience but in the end so much more rewarding.


4. As a duo, do you take inspiration from other duos in the industry if so who?
When we moved to Denver in 2012 one of the first shows we went to was In The Whale at Hi-Dive. That was right after they came out with their “Cake” EP. The crazy live energy and huge sound they were able to make as a two-piece was hugely instrumental in us saying, “Hey, maybe we can do this thing too!”


5. What instruments do you each play?
Jordan plays the drums and Keaton plays the bass. We both yell into microphones.


6. How has Sailor Records helped you grow as a band, and do you recommend bands sign to a label?
Being a part of Sailor Records has been nothing but a great experience for us. We’ve gotten to play SXSW as an official artist, shared the stage with some incredibly talented bands, and made loads of lifelong friendships as a result of SR’s support. In the last few years, Sailor has really grown to become one of the best repositories for all kinds of heavy music in Denver. Muscle Beach, It’s Just Bugs, FATHERS, The Munsens, Abrams, Greenbeard, the list goes on and on... All the bands slay so hard and it’s beyond inspiring and humbling to share a label with them!

Plastic Daggers (Photo Credit: Scott Colby)


7. Finally what can Denver expect from you this record?

Raw, loud and aggressive. We focused less on the melodic elements and more on replicating the energy of our live shows. There’s a mix of straight forward, fast paced, punk stuff and more noisy bluesy riff based songs more reminiscent of our last EP. It’ll be available Fri. 2/22 everywhere you consume your tunes and you can pre-order the vinyl on our Bandcamp or pick one up at our release show on Sat. 2/23 at Lost Lake.

One's To Watch: Branson Anderson

Cut from the same cloth as Shakey Graves and Devendra Banhart with a hint of his own unique sound Branson Anderson will be bringing his talents to The Bluebird later this week opening for Corb Lund. He is also set to release two new singles at the beginning of March which we can describe as a knee-slapping-road music. The beats are infectious and the lyrics have us singing to the distinguished sound. Keep an eye out for the new tunes!

Singer-songwriter Branson Anderson hails from Logandale, Nevada, a tiny, sleepy, desert town dating back to the 1860s, best known as the home of the Clark County Fair and Rodeo. As a teen, Anderson started writing songs with dreams of rambling across the land as a traveling musician. In fact, he once ditched high school and took a two and a half day bus ride to Nashville with the sole plan of going to Third Man Records to meet Jack White. It didn’t quite pan out and fifteen hours later he was back on a bus headed home, but a love for the adventures of the road got into his blood on that trip.

Now based in Ogden, Utah, another historic frontier town rich in cowboy lore, Anderson lives in a camp trailer and fully embraces the life of a troubadour, working as a truck driver for a rock quarry when he isn’t gigging. With a creative approach to writing that eschews traditional song structure, Anderson’s influences include Bob Dylan, Johnny Cash, Jack White, and Robert Johnson. Fueled by a humble reverence for Americana, as a performer Anderson channels the spirit of yesteryear imbued with a fresh, unique take on roots music.

Anderson has toured the U.S. and parts of Europe, opening for Corb Lund, Charlie Parr, Brothers Comatose, Sammy Brue, and fellow Utah resident Joshua James, who produced Anderson’s 2017 debut album, Graydog, as well as his new album, Applecore, Baltimore.