The National Showcase New Music During Back To Back Nights At Mission Ballroom

Matt Berninger of The National. (Photo Credit: Robert Castro)

The National has long been a band that has gotten better with time. Much of it doing with the amazing and talented band’s dedication to the art. With back to back nights at Denver’s newest venue Mission Ballroom, Denver had a chance to witness the bands glory. We got a chance to attend the second night and were welcomed with a warm and happy set from ALVVAYS (one of our favorites), Molly Rankin and company ripped through their set playing fan friendly hits such as “Dreams Tonite” and “In Undertow”.

We have had a chance to cover The National on many occasions and they have always delivered with an amazing production in the past. On this tour the stage was flanked by three large LED boards displaying various imagery including shots of the band backstage getting ready to take the stage.

The band played all new material with a few classics towards the end. Their latest album I Am Easy To Find has been getting rave reviews and fans got a chance to listen to those songs live for the first time. The reception was welcomed with cheers and applause as songs such as “Quiet Light”, “Oblivions” and “Hey Rosey” rang through the venue as the lighting gave life to each song.

Words and images: Robert Castro


The National Electrified A Sold Out Red Rocks Crowd

The National (Photo Credit: Robert Castro)

Often times we witness performances that are perfectly balanced between the subtle genre of the music and the intimate setting of a venue. For a band like The National, who many people put into the indie-alternative genre playing a venue like Red Rocks couldn't be anymore perfect. A band whose music echoes through meaningful lyrics and carefully orchestrated well balanced production. Matt Berninger and company have been doing this for years now, a band well established and with several accolades to back them up. Sunday night was the perfect setting for a show that I can easily consider one of the top three shows I have seen at the venue. 

Matt Berninger of The National (Photo Credit: Robert Castro)

As the house lights dimmed the opening sounds of The Smiths "Please, Please, Please, Let Me Get What I Want.." blared through the venue. The band ripped right into "Don't Swallow The Cap", an uneasy Berninger paced up and down between the song, almost as if he was nervous or looking for perfection from his bandmates. In fact he stormed off stage right after the first song only to make it right back for the opening chords of "Bloodbuzz Ohio". After the nerves settled the band played through their catalog of fan favorites. We even got a dose of some newer songs that band has yet to released. Judging from the response the songs would be a welcomed addition to their new album. Sounding a bit different from their older material the newer songs gave off a electro-type feel to it especially on the intro to "Find A Way", and "Sometimes I Don't Think".

Aaron Dessner of The National (Photo Credit: Robert Castro)

Aaron Dessner of The National (Photo Credit: Robert Castro)

Other notable favorites included "Fake Empire", which sounded perfect in the historic venue. The band wrapped up their set with a five song encore including "Mr. November", which had the biggest crowd participation, "Terrible Love", "Prom Song 13th Century (Frankie & Johnny)", and band staple "Vanderlyle Crybaby Geeks". 

The National (Photo Credit: Robert Castro)

SETLIST: Don't Swallow The Cap | Bloodbuzz Ohio | Checking Out | Afraid of Everyone | Squalor Victoria | I Need My Girl | This Is The Last Time | Sometimes I Don't Think | Find A Way | Sea of Love | Apartment Story | The Lights | Pink Rabbits | England | Morning Dew | Graceless | About Today | The Day I Die | ENCORE: Fake Empire | Mr. November | Terrible Love | Prom Song 13th Century (Frankie & Johnny) | Vanderlyle Crybaby Geeks

 

Click here for more photos from The National at Red Rocks

Riot Fest Denver | Sports Authority Field at Mile High | September 19-21

The Riot Fest crowd catching 3OH3! (Photo Credit: Robert Castro)

RIOT FEST 
Ahh, Riot Fest. A weekend filled with punk mutants, vomiting girls, carnies and "under-butt". For those of you that don’t follow us on Instagram and Twitter, "under butt" is what happens when girls wear high wasted shorts and half their butt hangs out. Why do we mention this? we love it. With asses and beer galore, we were able to sit back, relax (with Slayer blaring) and take in yet another beautiful Riot Fest. This weekend officially marked the end of festival season for the year, and we certainly made the most of our final hours with funnel cake and turkey legs.

This was Denver's second year hosting Chicago's rowdy punk festival, and despite the change of scenery, some may argue that this year got it right. 

Radkey one of the days surprise sets. (Photo Credit: Robert Castro)

The biggest change to the festival this year was the location. After a bout of petitions and protests from a few unhappy members of the Byers community, the city voted to not allow the punk rock festival back within county boundaries. Riot Mike and the rest of the festival's team decided to take this the only way they know how, with salt on the rim, and fire in their loins. Determined to win back the heart of Byers, Riot Fest themed this year's festival around the little country town. Offering discounted tickets to the residents of Byers, filling the venue with tractors and hay bails, and naming all the stages after Byers city landmarks (Country Feed Store, May Farms, etc), it was apparent the festival wished it was out east at its inaugural location instead. 

Matt Berninger of The National closing out the final night of a cold, rainy Riot Fest (Photo Credit: Matt Smith)

Despite the forced change of scenery, we were pleasantly surprised by the use of Mile High's parking lot. Denver is used to seeing this as the Warped Tour venue, so it was hard imaging the layout being able to differ greatly, but what a pleasant surprise this weekend was. The venue's traffic flow was fantastic, the lines for bathrooms nominal, and bands promptly started one after another, avoiding the much dreaded festival "lag time" all have come to expect. There is something magical about being out in a corn field miles from civilization, but the layout at Mile High just....worked. The decision is up to Riot Fest (after they win in court against Arapahoe County), but we're very curious to see what venue is used in 2015. 

We’ve summed the entire weekend up into a few different categories:

Riot Fest 2014 (Photo Credit: Robert Castro)

The Crowd:
From air fisting cowboys to cape-wearing WuTang super fans and green mohawks, the crowd at Riot Fest did not disappoint. We believe that people watching at Riot Fest should be considered as an Olympic sport. Is there a way to vote that into existence? When we weren’t busy ogling our childhood heroes, we were taking in the wonderful scenery. We saw a woman eat a sword, a man dance around on his torso, and a girl barf something bright red all over the grass and then proceed to lay in it. It was perfect. 

TV on The Radio (Photo Credit: Robert Castro)

Our Favorite Acts:
City and Colour, TV On The Radio, Weezer, NFG, Taking Back Sunday, In The Whale, Manchester Orchestra, 3OH3!, Radkey, Dum Dum Girls, Descendants, Me First and The Gimme Gimme's.


By the Numbers:
$1 - the amount of money made at the “Watch This Video for a Dollar Truck!” - Somethings you can’t unsee. 
4 - the number of times we watched someone puke after The Zipper Ride
6 - trench coats
2 - nours amount of time Robert cried at The Cure
12 - the number of people we saw get dropped after crowd surfing
1 - the amount that the Broncos lost to the Seahawks :(
24 - cans of Red Bull we drank collectively as a team
1.1 Miles - the length that you would have to walk around Mile High if you missed the entrance and proceeded to walk aimlessly around Invesco

Check out our Riot Fest photos courtesy of Matthew Smith and Robert Castro

Coachella Set Times



Here are the set times for this years Coachella Music Festival.  We here at ultra5280 decided to weed through the weekends best and give you some recommendations.  Let's start with Friday, in my opinion probably the best of all three days.

Friday:
Omar Rodriquez-Lopez: 3:15-4:05 Outdoor Theatre
Skrillex: 3:30-4:30 Sahara Tent (why do we feel this one is going to be nuts)
Warpaint: 4:40-5:25 Outdoor Theatre
Cee Lo Green: 4:50-5:40 Coachella Stage
A-Trak: 5:30-6:30 Sahara Tent
Ms. Lauryn Hill: 6:05-6:55 Coachella Stage
Cold War Kids: 7:00-7:50 Outdoor Theatre
Interpol: 7:25-8:15 Coachella Stage
The Black Keys: 8:40-9:30 Coachella Stage
Crystal Castles: 9:30-10:20 Outdoor Theatre
Kings of Leon: 9:55-11:15 Coachella Stage
Caifanes or Robyn (toss up)
The Chemical Brothers: 11:40-? Coachella Stage


Saturday:
Cults: 1:55-2:40 Gobi
Here We Go Magic: 2:55-3:40 Outdoor Theatre
Foals: 3:15-4:05 Mojave Tent
Two Door Cinema Club: 4:30-5:20 Mojave Tent
Erykah Badu: 4:50-5:40 Coachella Stage
Jenny and Johnny: 5:45-6:35 Mojave Tent
Bright Eyes: 7:30-8:10 Coachella Stage
The Kills: 7:50-8:40 Outdoor Theatre
Mumford and Sons: 8:30-9:20 Coachella Stage
Animal Collective: 9:45-10:55 Coachela Stage
The London Suede: 10:40-11:30 Mojave Tent
Arcade Fire: 11:20-? Coachella Stage


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Sunday:
Twin Shadow: 1:10-1:55 Mojave Tent
Delorean: 2:00-2:45 Gobi
CSS: 3:30-4:20 Mojave Tent
Wiz Khalifa: 3:45-4:35 Coachella Stage......(ya..uh-huh you know what it is.......Black and Yellow)
Jimmy Eat World: 4:50-5:40 Outdoor Theatre
Death From Above 1979: 6:10-7:00 Coachella Stage (maybe should bring riot gear)
Foster The People: 6:50-7:30 Gobi
The National: 7:25-8:15 Outdoor Theatre
Ratatat: 8:25-9:15 Mojave Tent
The Strokes: 8:55-10:00 Coachella Stage
Kanye West: 10:30-? Coachella Stage (guessing he will not go on at exactly 10:30)

Sharon Van Etten at The Walnut Room-Review

Sharon Von Etten
The Walnut RoomSharon Van Etten
Fairchildren
FairchildrenNathaniel Rateliff
Little Scream
Little ScreamThe NationalArcade FireThe Golden Record,
Sharon Von Etten
I first heard about Sharon Van Etten from our good friend Joel over at ultra8201. We did not get to see her during our trip to SXSW where she created quite the buzz. I started doing more research and found out she has worked with some indie heavyweights including Justin Vernon of Bon Iver and The National. This night she had family in attendance and although she was noticeably a little nervous, her style shone through. It is a result of beautiful carefully crafted songwriting that translates into an emotional performance leaving you wanting to hear more and more. She seemed to have everybody's attention this night as she tore through a set consisting of songs from Because I Was In Love and Epic. Make sure you check out Sharon as she makes her way up the east coast including stops at Sasquatch and Bonnaroo.