Pretty Lights Music Afterparty | The Gothic | August 18th

As if getting to see the whole Pretty Lights Music lineup at Red Rocks wasn't enough, word comes in that the PLM crew will be throwing down at The Gothic next Saturday for an after party. The lineup includes some of the finest in the biz; be sure to get your tickets here.​ Scheduled to perform are Michal Menert, Gramatik, Break Science, Paul Basic, Supervision and Eliot Lipp

Pretty Lights at The First Bank Center: New Year's Eve: Review

 

Thank you, Jake Fling, for sharing this video with us!

Before you go any further, if you haven't read Castro's review of the first night, do that first. The show on the 30th was an absolutely amazing performance but it was a warmup for the main event, the New Years Eve party. The crowds were louder, the lights brighter, and the bass hit heavier. The First Bank Center hosted the event for both nights, and while it can hold almost 10,000 people, it couldn't hold the level of enthusiasm that this crowd brought with it; this night was set up for an epic performance to be remembered. 

Starting the night off was one of Ultra’s newest favorite DJs, Colorado native Paul Basic.  Working the crowd, he started the New Year’s celebration off right, getting everyone into the groove.  It is obvious that he appreciates being able to do what he loves, especially in front of the home crowd.  This enthusiasm beamed like the strobe lights that lit up the crowd.  His humbleness carries with him off the stage as well; Ultra5280 got to meet with him recently and you can tell he is a great person and talented producer. 

Hailing from Germany and only 22 years old, house DJ Anton Zaslavski, also known as DJ Zedd, was one of the best surprises of the night. He hit the stage after Paul Basic to bridge the gap before Pretty Lights. I'm going to be honest, I hadn't heard much of Zedd's music before Saturday so I didn't have any expectations but I was blown away by the performance.  The beats were fast, the bass was heavy, and the remixes all managed to sound unique.  Frankly, his remixes are the one of the main things that stick with me from the night.  Each song started out easily recognizable before immediately bursting into something completely unique, while keeping the theme of the original song.  I know, I know, that's what a remix is supposed to be, but when it's done well, it's a thing of beauty and no less masterful than the original song.  Zedd played to the crowd spectacularly, and I really can't think of a better way to lead up to Pretty Lights.

During the final preparations before Pretty Lights took the stage the energy and anticipation in the venue hit another level that I've personally never experienced.  And then it happened, the lights dimmed, Pretty Lights took the stage, and a wave of lights, lasers, and bass filled us.  It was then that we realized just how far Pretty Lights has come in such a short period of time. Pretty Lights has found such a loyal following because his music speaks to everyone on a personal level.; it hits them to the core. It's as if he is playing to each person individually even amongst 10,000 other people. 

Pretty Lights built up the crowd for the hour before midnight with a smattering of his best songs. Playing new stuff and then bringing us back to the beginning.  A few hits of the night include "I Know the Truth", "Down the Line", and "Hot Like Sauce".  Pretty Lights played his own rendition of The Allman Brothers' "Midnight Rider" among other popular remixes.  Closing in on midnight, he hit us with Europe's "Final Countdown". This remix has become a Pretty Lights tradition for the New Year's countdown (and one that I hope to be apart of again). It seemed as if the clock would never reach midnight, like a school child waiting for that last bell before summer break, but then the giant LED on stage started it’s crawl to midnight...10 (this is happening) ...9 (oh shit it's really happening)...8 (don't pass out).... 7 (where's my camera) ....6 (don't forget to breathe) .... 5 (only seconds remain) ...4 (I don't want to be anywhere else) ... 3 (it's now approaching midnight) ... 2 (it's been a good year) ... 1 (next year will be even better) ....... HAPPY NEW YEAR!

As we looked above a shower of balloons, confetti, and streamers rained down on us as the pretty lights (pun intended) bounced off the faces of everyone present. The quintessential party song, “Celebrate”, was the first song to hit our ears in 2012. The crowd was dancing and smiling as people hugged each other while volleying the giant balloons. There was almost a feeling of relief from the crowd; we had made it another year and were welcomed to 2012 by a favorite artist. Pretty Lights didn't wait long to remind us all that we were there to party long and party hard. He kept playing for another solid hour, stopping only to thank his fans, crew, friends, and family. One of the surprises from his set was a remix he was asked to do by Daft Punk. It was a solid track that I could've listened to on repeat all night. 

When all was said and done I couldn't think of a better way to ring in the New Year. I spent it listening to an amazing artist, hung out with amazing people, and worked with some of the most talented people I know. 

Here is to the start of an amazing year!! 

Kyle

Pretty Lights Music at Cervantes

This post is long overdue. A special thanks to Andrew "AC" Lao for his support of Ultra5280 and local music.  You are a great friend a talented musician and performer.  YOU CRAY!

With multiple DJ sets, a typical Wednesday at Cervantes was a far cry from normal and boring.  Four talented DJ’s from the Pretty Lights Music label played well through the night, displaying different strengths and talents that had a little something for each person.  Paul Basic, SuperVision, Michal Menert with guest AC Lao, and Gramatik each played at least a 40-minute set, if not longer. Even as talented artists tying to make a living, their albums are free for download HERE.  To show your support, donations are accepted and attending a show is encouraged.
 
Colorado native Paul Basic didn’t let the theft of his Macbook Pro Tuesday night slow him down, with borrowed machines he brought his unique talent while still keeping in good spirits.  With a few hiccups and pauses in between songs, Paul Basic (Paul Brandt) brought the beats that laid the foundation for the DJ’s to follow.  Donations were taken up in contribution to his new laptop.  Check out his album “The Mirror” that dropped late September and show your love for a Colorado native.
 
Next on the lineup was Supervision, a guy that showed his support for others on the label, mixing their music as well as other familiar songs.  You could hear the excitement in the beginning of the set as as it seemed like there was a lot going on, but as the set went on so did the editing and it cleaned up very well.  Familiar songs like Jay-Z’s “99 Problems” gave the crowd something to sing along to all while making it his own.  He wrapped things up with a Michal Menert song, giving the crowd a taste of what was to follow.  Richard Blake Hanson, or Supervision, has shared the stage with some talented artists like Ghostland Observatory, Pretty Lights, Public Enemy, Classixx, and RJD2 only to name a few. Download his album “Telescopic” and you can hear where Supervision draws inspiration from.

Michal Menert tore it up.  His attention to detail and his production skills were the best of the night.  He understands the concept that “less is more” and knows when to edit; his music is clean and he knows what sounds good, plain and simple.  On stage with him Wednesday night was drummer, AC Lao, keeping the rhythm for his set.  AC brought something to Menert’s set, he brought life.  The drums were real, not mixed, and the crowd was very responsive to it.  Menert, with his sweat-soaked hair under his flat-brimmed hat, was nothing less than thankful for his time on stage.  With the recent loss of his father, his song “Memories” spoke loudly to anyone that had ever felt the weight of losing someone special. 

A Led Zeppelin favorite, “Stairway to Heaven” was used as a segway from Menert’s set to Gramatik’s.  Gramatik took the stage and raged it, and the energy never seemed to fizzle as the crowd anticipated the final set.  Menert and Gramatik piggy-backed off each other, hopping from one set back to the other.  The lights were flashing and the bass was bumping, Gramatik delivered a high-energy set packed with favorites.  The DJ’s raged on until 2 am and while the streets were quiet and the weather was chilled throughout the night, within the walls of Cervantes was a loud, sweaty party that lasted for hours. 

 

Amanda