Immerse Yourself in Theater & A Wild Party

“You’re invited to leave your inhibitions (and Prohibitions) behind for a decadent 360° party in the Roaring Twenties. Indulge your inner flapper as you mingle with an unruly mix of vaudevillians, playboys, divas, and ingénues in a Manhattan apartment lost in time.” From the creators of last year’s immersive, experiential theater performance that we also covered, “Sweet & Lucky” the DCPA’s new Off-Center show “The Wild Party” is a similar experience but different. Confused? That’s good – the creators and two-time True West Award-winning Director Amanda Berg Wilson, want the audience to be surprised, it makes for a more exciting experience. Read on if you would like to know a little bit more of what to expect.

The audience begins the experience all together in a main room and is free to mingle about, have a seat, and buy drinks. Then the show begins with a fun musical act and the performers weave through the audience dancing, singing, and chatting with the crowd. They playfully ask groups of us to follow them into another room until the entire audience has been transported to the other side. Unlike “Sweet & Lucky” where the different groups of audience members are separated and experience different scenes in different rooms, all of the audience members of “The Wild Party” end up in one room together to watch one big show play out all around them.

The First Act is one big party, full of fun, flappers, booze and tunes, accompanied by a seven-piece band! You really feel like you’re at the party with the scenery (and almost everyone in attendance dressed up), the music, and the actors interact with the audience, teaching us to dance for example. We saw people of all ages around us, from 21 to 70’s, dressed up and having a fun night out. “Our goal with each audience member is that they are going to experience a kind of release that you only have when you have had a really wild night," Director Wilson said.

Debauchery turns disastrous in the Second Act as the party’s guest’s gin sets in. The plot thickens dramatically as the actors’ songs and actions reveal their feelings bubbling under the surface and themes such as race, gender, and religion are brought to the forefront. Accompanying this we hear adult language, see uncomfortable situations, nudity and violence. The mood gets real serious towards the end and almost makes us loose our buzz too, even after we all just had a complimentary shot of gin. The show’s tagline is, “When the night is over…No matter what happens…Blame it on the gin.” We came away with many different interpretations of the true moral of the story and left wishing the best parts of the party weren’t over. 

The Wild Party is a musical by Michael John LaChiusa and a book by him and George C. Wolfe. The story is based on the 1928 Joseph Moncure March narrative poem of the same name. The show features all local actors, and runs most nights October 11 - 31, 2017 at The Hangar at Stanley Marketplace. Tickets for Sat, Oct 28 and Tue, Oct 31 include a post-show party with a costume contest, music, and dancing!

Immerse yourself in a sinful good time; hurry tickets are almost sold out.

https://www.wildpartydenver.com/get-tickets/

By Tiffany Candelaria

"SantaLand Diaries" | A Snarky Holiday Show

The Denver Center for the Performing Arts (DCPA) has a whole slew of shows lined up over the holidays, from Christmas favorites we've known since childhood to very nontraditional shows, and stories you have to see to believe! This December's performances include "A Christmas Carol", "An Act of God", "Finding Neverland", "Hedwig and the Angry Itch", "Rudolf" and "SantaLand Diaries".

"SantaLand Diaries" is one performance that is difficult to categorize. While the story itself revolves completely around the Christmas holiday, it doesn't quite fit into the cheery and warm Christmas themes because of it's nontraditional, super snarky, offbeat and angsty tone. And that's exactly how the story's main character Crumpet the Elf feels during his time working in SantaLand. The story is based on a job satirical writer David Sedaris took on one winter in a desperate attempt to make some extra money over the holidays.

This is a one man show is played by Michael Bouchard, who has received multiple honors for his acting here in Denver, and chronicles Sedaris' season as a Macy's Elf in all of it's cringe worthy, agonizing, hilarious glory. He goes from a respectable looking man in the opening scene to a humiliated Elf in fluffy polyester from head to toe, that must go through interviews, tests and training just to get the un-glamorous position. Once elf-ed, his roles vary between getting everyone from families to unexpecting foreigners into line to see Santa, guiding guests along and keeping them entertained once in line, acting as right hand man to Santa filling him in on the child's name about to enter, that half the time Santa is too old to hear correctly, and cleaning up messes and the frequent vomit that happens with kids' excitement or fear that overcomes them when they finally meet Mr. Santa man himself.

Audience members get a good glimpse of how the Holidays can drive people to do crazy things and the capitalism surrounding it all. In the end though, Crumpet learns some valuable lessons about people, life, love and all that warm, fuzzy Christmas stuff this show leaves out until the very last scene. And that's what makes it an awesome alternative to the typical Holiday stories. 

Off-Center Theatre Company
The Jones Theatre
1101 13th St.
Denver, CO 80204
(303) 893-4000
www.denvercenter.org

Lifestyle | The Dawn of Immersive, Experiential Theater in Denver

Ultra5280 was invited to a sneak peek, trial-run performance of the new “360-degree, multi-sensory experience” that is “Sweet & Lucky”. While this article will give you a much better idea than we had, there’s no way we could (or would) describe in words what the “Sweet & Lucky” experience truly was. For starters, everyone’s experience is different. . .

The fact that this immersive theater experience has made it to Denver is a compliment to us Coloradoans. It is a signal to the country that Denver has a palate the size of New York that longs to be satiated. With a bursting food, art and music scene paired with an attitude of possibilities, Denver has been making our tastes known. Zach Morris, co-creational director from the New York company, Third Rail Projects, joined his hometown of Denver to bring our city the experience we have been craving. "We're interested in presenting works in nontraditional contexts, in public spaces," says Morris, "Sweet & Lucky’s" lead director. "As traditional theater is to a novel, our work is to a poem."

Upon our arrival, rather than entering and mingling about in an ordinary lobby, we were instantly transported into the story through an antique store and old timey bar carefully crafted by the Denver Center for the Performing Arts' props team. You mingle and explore the various rooms of the antique store until the "show" begins.

You then embark on this journey, literally you’re walking around, exploring all different scenes, environments, people, periods of time, spectrums of emotion, memories, etc. You’re led through a series of performances with a small group of other spectators that occasionally changes throughout, and it seems like they purposefully take you away from who you came with right from the start. At one point you’re completely alone in a scene with an actor, who speaks to you directly, and waits for you to reply. Honestly, it’s a bit nerve-racking. You never know what to expect or when you’ll be called on to step up and be a part of the scene, which definitely happens. The creators and actors are aware of the emotional response that must elicit in someone coming to an unfamiliar experiential show, who is then separated from the one familiar thing (person) they came with, and is led away into all these different scenes and situations.

As you are led from scene to scene, all of the other small groups are revolving around experiencing the same scenes, but in different orders. Thus, the order you see it in will surely alter your perception of the story. The performance is broken into bits and pieces and the viewers are supposed to fit it together to create a cohesive story. Another factor that makes the experience/story unique to each, is all of the props that you are invited to touch and hold; you will inevitably see and read things while other spectators are busy with other props. You will also hear and see slightly different things depending on how closely you’re paying attention, and feel different emotions depending on all of these factors, along with personal context you overlay. This makes for a truly unique storytelling experience. You are living the story, rather than being told or shown... and in that way you are also creating the story. So just as everyone’s version of any experience is unique to each, so too is the experience you have at “Sweet & Lucky”. And that seems to be the whole point.

At the end of the show, the entire audience is brought back into the large theater space where it began, and just as we all saw the same start to the story, we see the same ending. All that was in between are the fragmented and few memories of a long life lived, and the various tangible objects left behind. Just as in real life, our memories are scattered, subjective, and unique to each.

In an era where some of the most prestigious arts are struggling to bring in an audience, Denver Center for the Performing Arts has embarked on innovative avenues to draw in the Millennial generation. Their plan over the next couple years is to expand the use of the Center to include education, new structures and grassroots programming while also taking their audience from under the dome to completely transform their viewing experience. In a time where we are more likely to interact through technology, our generation is in need of these moments out of the ordinary. We are in need of human interaction and testing the boundaries, in a hands-on way. “Sweet & Lucky” gives this to us through an immersive experience where we become a part of the action, not only able to interact with the actors, but able to touch the props, create our own story lines, and feel that we were a crucial component in the storytelling process.

Sweet & Lucky runs May 17 - June 25. The show is for ages 21 and older, and an on-site bar opens 45 minutes before show time. Two performances June 1 and 8 are open to patrons 18 and older. You will be walking or standing for the duration of the show, and purses and backpacks are not permitted.

http://www.sweetandluckydenver.com/

Tiffany Candelaria & Theresa Dixon