The Secret Garden - Now Playing!

The classic story The Secret Garden, written by Frances Hodgson Burnett in 1911 still finds itself being told to audiences today. Our Denver Center for the Performing Arts has adapted the novel into an all-ages theater musical at the Stage Theater downtown. The show has two Acts totaling 28 original songs by Marsha Norman, composed by Lucy Simon and directed by Brooklyn-based Jenn Thompson who has worked all over the US.

The story follows a child named Mary who is sent to live with her uncle after the death of her parents. She is sent to a big, solitary mansion on the Moors of England where she finds herself in a creepy, old estate left to her Uncle Archibald who lives in a state of grief and fear. Mary slowly learns the stories of the people both living there and deceased and uncovers all kinds of secrets. But when she uncovers the key to her late aunt’s long-lost garden, she becomes determined to turn things around for everyone by reviving the beauty that once flourished. Surrounded by spirits of the past, she uses the magic of hope to help the world around her grow once again.

The cast of 22, orchestra and a stage crew of about 30 people make all the magic happen on and off stage such as smooth backdrop and scene changes, lighting and fog effects, and overall flow and presentation so the story comes to life. The vocal acrobatics and the abnormal amount of contrapuntal pieces in this musical made it a full-sensory experience. The plot line was well developed and the characters, half of who were deceased spirits guiding the living, created a complexity for the adult audience. Most of the play was more adult in tone and plot in our opinion, especially as it was set in a haunted mansion and dealt frequently with death, hardship and loss on multiple levels. Alas, all is not lost and the characters and garden find renewed life.

The show runs approximately 2 hours 10 minutes with one 15-minute intermission. Ticket prices vary by date and availability, and there are both matinee and evening performances on the weekends through May 28th.

https://www.denvercenter.org/shows/specific-series/Get?Id=4652359c-77e8-4812-9917-4b5dd5f9ffcf

Words by Tiffany Candelaria

"An American In Paris" | A Celebration of Art

The Broadway Theatre is here to dazzle Denver yet again with its multi-award winning musical, "An American In Paris" through Sunday, March 19th at Buell Theatre. The basic story under this title was first a book by Craig Lucas and became a Hollywood movie in 1951 starring Gene Kelly. The musical film was inspired by the 1928 orchestral composition "An American in Paris" by George and Ira Gershwin. The film won a number of Awards including Best Picture at the Academy Awards and the Golden Globes. So if you can't make it out to the Denver Performing Arts Theatre in the next week, at least the film sounds like it does the story justice. 

The film was adapted to the stage in the 2000s and again adapted in 2014 and performed in Paris and then New York City's Broadway March of 2015. Thus, this is a new musical with a long past and a legendary soundtrack of unforgettable songs from Gershwin, that along with acclaimed director/choreographer Christopher Wheeldon, has earned it more awards than any other musical in the 2014-2015 season!

The story begins as an American soldier continues to encounter a mysterious French girl and an indomitable French city, each yearning for a new beginning in the aftermath of World War II. The backdrops and projection were one of the first standouts as the musical began. They make the city come to life with projections of Paris being water colored right before our eyes, which plays into the introduction of the lead character Jerry Mulligan, the American soldier and artist who decides to remain in Paris after the war. As he pursues the French girl, he leans her name is Lise and she is a very talented, but sad, ballet dancer. In fact, both of the characters and actors are very talented ballet dancers and the play, as well as the story, both heavily revolve around ballet and dance.

We see some very intimate and intense dances, as well as some big Broadway, spectacular dance numbers complete with tuxedos and feathers. We also see a marvelously composed culminating performance that matches modern art with classical ballet, a performance worthy of awards in and of itself. We watch many interesting characters develop in the story as they try to pursue their dreams and find happiness in the post-war era. These dreams all revolve around some form of artistic pursuit and of course the pursuit of love. Some chase money, some chase fame, some yearn for their authenticity to shine while others choose to hide or put on appearances. While the main theme is the pursuit and celebration of art and its ability to bring joy, there's also an underlying look at gender roles and stereotypes, as well as doing what is right or expected versus following your heart.

When you see past all of the dancing, singing, and vibrant art on stage, you will see a poignant story about the trials and tribulations of figuring out how to pursue a happy and fulfilling life. It's no wonder this story continues to win the hearts of so many.

http://www.denvercenter.org/shows/specific-series/Get?Id=20d44ce2-4382-4b11-b7d9-ed33d6a8ab29

By Tiffany Candelaria  

Circus 1903 | The Greatest Show on Earth

What a spectacular show we saw last night at Denver’s Buell Theater! “Circus 1903 – The Golden Age of Circus” thrilled us with its amazing performances, death-defying feats, extraordinary puppet elephants and comical ringleader. We were on the edge of our seats for nearly every act, along with all the kiddos in attendance. So yes, we think this is likely the greatest circus show on Earth right now!

This Broadway play isn’t exactly a play, but rather a re-creation of the vintage-era Circus, showcasing all of the hard work, diverse personalities, odd talents, glitz, danger, and showmanship that the Circus was known for in its heyday.  The show pairs producers of the world’s largest magic show, “The Illusionists” with the award winning puppeteers from “War Horse”, and an incredible cast of people who are top notch performers from all four corners of the world. During the show I wasn’t sure if the ringleader was just saying these performers were from Italy, Germany, France, etc. because it would heighten the thrill, but reading the program after the show these performers are by no means pretending, not even the ringleader. They are all bona fide award-winning performers of their craft from across the globe. A few of the performers have been in Cirque du Soleil, most have been on TV, and nearly all have won numerous awards for their talents. This show and its performances are the real deal and we still can’t believe the incredible things we saw! We also can’t imagine what casting must have been like, but it’s always the best of the best to make it on Broadway and we were truly blown away.

To give you an idea of what you’ll see, and we absolutely encourage you to go see this show, is a blend of comedy, puppetry, and a slew of incredible, unique, death defying performances. The show is nonstop entertainment and had us laughing so hard we had tears at times, holding our breath and looking away for moments, and frequently clapping and shouting at the top of our lungs to show our amazement. As the ringleader reminded us, “A lifetime of dedication goes into these performances that last a few fleeting moments under the big top.” These people are literally risking their lives in front of our eyes, so the least we can do is support them in the craft they’ve pursued. From various acrobatic acts, to out of control contortionists, to aerialists, jugglers, cycling tricks, highwire acts and puppetry, you’ll see it all at “Circus 1903” except clowns, which is fine by us.

The show itself runs two hours with a 20-minute intermission to catch our breath and get some popcorn. Curtain times are 7:30pm Thursday – Sunday with 2pm weekend matinees. Family Four Packs for $99 are available in Level 2 and 3 for all evening performances with promo code SAVE. You can also save 50% on Level 2 seats with promo code CIRCUS17THX.

http://www.denvercenter.org/circus1903

Review by Tiffany Candelaria | Photos by Mark Turner Images

DCPA's Motown The Musical!

Opening night of "Motown The Musical" hosted by the DCPA at Buell Theater was a delight for people of all ages to enjoy. We know a lot of people say that, but it's true. We were seated next to two older gentlemen getting a kick out of all the references to highlights of their own lives and seeing some of their favorite tunes come to life. Behind us, a girl no older than 10 wiggled around in her seat along with the dance numbers with a smile bigger than her mother’s seated next to her. It was everything we wanted in a musical and would recommend this one to everyone. Hurry over as the show only runs through Sunday the 19th before the magical "Circus 1903" takes the stage on February 21st!

The story of Berry Gordy, creator of Motown, begins in 1938 in Detroit where Gordy feels defeated by the music industry and not getting enough credit for the hits that he is writing. His solution? Start a recording company and compete to your best ability. Gordy ends up launching the careers of Motown legends Diana Ross and the Supremes, Michael Jackson and the Jackson 5, Marvin Gaye, Smokey Robinson, and many more. This musical performs all of their hits arranged alongside their stories acted out onstage.

The show not only covers Gordy’s personal life, but the rise of the young Diana Ross and a very politically charged and racially divided past, specifically through Gordy and his artists' struggles in the music industry. An essential piece to making a story come to life is the characters and the actors that play them. So trust us when we say it came to life with this cast. Allison Semmes as Diana Ross, is a dream, and the whole cast was wonderful when it came to portraying the personas of Motown hotshots on the come up. Seeing characters like Marvin Gaye and Rick James come to life through hilarious mannerisms, angelic singing voices, funky dance moves, and great costumes was a wonderful way to spend a Wednesday night.

Diana Ross’s debut in the song “Reach Out And Touch” was an interactive piece where two audience members joined Semmes (Ross) in singing the song, while the crowd was asked to hold hands and sway. Definitely the cheesiest part, but after experiencing the whole thing, we all felt like a Motown family, haha! Grooving to songs like “Do You Love Me”, “My Girl”, and “Brick House” reminded everyone in the room of not only some of our favorite songs, but also the man behind them and the struggles he endured to make “black music” into popular music. This production also reminded us, as I’m sure it did many others, that our country is in a similar state of social and political disorder, but proved there are ways to remind folks of that while also bringing them together. And that's how Motown was born!

denvercenter.org   Review by Lina Skrzypczak

DCPA's "A Christmas Carol" | A Classic for All Ages

The holiday season is here, the time of year where we celebrate with friends and family, drink champagne and eggnog, and see the city covered in twinkly lights! There are so many delightful things about the holidays, which for some include listening to Christmas music, watching holiday movies, or seeing “The Nutcracker” or “A Christmas Carol” performed for the twentieth time. In fact, this is the 24th season for Charles Dickens’ famous story “A Christmas Carol” at the Denver Center for the Performing Arts (DCPA) Theater Company, that was first published December of 1843. It has managed to really stand the test of time thanks to the Theater Company’s diligent work and because the story’s themes still ring true to both children and adults today.

Over the years the DCPA production has gone through many changes, some big like venue spaces, sets, and script, and many small changes to keep the audience interested and entertained, and they do a great job (watch out for that trap door!). This year marks a couple of noteworthy changes with a new director, Melissa Anderson and a new main actor as Scrooge. Sam Gregory now plays Scrooge after having played six other roles in this production and is 26 years younger than the past years’ Scrooge. This younger Scrooge brings new life into the character and the story’s message can live longer through Scrooge now that he is younger when he learns his lessons. However, despite age, Gregory says, “We want to focus on the fact that this is a really incredible play about redemption and how anyone can be redeemed and can change at any age into a better human being.”

Gregory does a great job in his new role portraying the grumpy, greedy businessman and then slowly shows the audience signs his cold heart is melting as the Ghosts of Christmases past take Scrooge moment by moment through events of his life. By the time the Ghost of Christmas Yet to Come shows Scrooge his likely future, Scrooge/Gregory has displayed a whole array of emotions on stage. By Christmas morning (spoiler alert) Scrooge is a changed man and he sets out to change the lives of his fellow townspeople for the better as well! Gregory is a dynamic actor who, alongside a fantastic cast of characters dressed in exquisitely crafted classic costumes, makes this show a worthy tradition of Christmases past and Christmases yet to come.

“A Christmas Carol” plays through December 24th at the DCPA’s Stage Theater with multiple show times and is great for all ages. There are a few startling parts, and ghosts, so if you’re bringing young children I don’t recommend sitting too close to the stage. . . you’ll see!

By Charles Dickens. Adapted by Richard Hellesen. Music by David de Berry. Directed by Melissa Anderson. Runs approximately 2 hours, plus a 15 min intermission.

https://www.denvercenter.org/shows/specific-series/Get?Id=de96942d-2f07-401c-8622-ad726f693b4f

Reviewed by Tiffany Candelaria

"SantaLand Diaries" | A Snarky Holiday Show

The Denver Center for the Performing Arts (DCPA) has a whole slew of shows lined up over the holidays, from Christmas favorites we've known since childhood to very nontraditional shows, and stories you have to see to believe! This December's performances include "A Christmas Carol", "An Act of God", "Finding Neverland", "Hedwig and the Angry Itch", "Rudolf" and "SantaLand Diaries".

"SantaLand Diaries" is one performance that is difficult to categorize. While the story itself revolves completely around the Christmas holiday, it doesn't quite fit into the cheery and warm Christmas themes because of it's nontraditional, super snarky, offbeat and angsty tone. And that's exactly how the story's main character Crumpet the Elf feels during his time working in SantaLand. The story is based on a job satirical writer David Sedaris took on one winter in a desperate attempt to make some extra money over the holidays.

This is a one man show is played by Michael Bouchard, who has received multiple honors for his acting here in Denver, and chronicles Sedaris' season as a Macy's Elf in all of it's cringe worthy, agonizing, hilarious glory. He goes from a respectable looking man in the opening scene to a humiliated Elf in fluffy polyester from head to toe, that must go through interviews, tests and training just to get the un-glamorous position. Once elf-ed, his roles vary between getting everyone from families to unexpecting foreigners into line to see Santa, guiding guests along and keeping them entertained once in line, acting as right hand man to Santa filling him in on the child's name about to enter, that half the time Santa is too old to hear correctly, and cleaning up messes and the frequent vomit that happens with kids' excitement or fear that overcomes them when they finally meet Mr. Santa man himself.

Audience members get a good glimpse of how the Holidays can drive people to do crazy things and the capitalism surrounding it all. In the end though, Crumpet learns some valuable lessons about people, life, love and all that warm, fuzzy Christmas stuff this show leaves out until the very last scene. And that's what makes it an awesome alternative to the typical Holiday stories. 

Off-Center Theatre Company
The Jones Theatre
1101 13th St.
Denver, CO 80204
(303) 893-4000
www.denvercenter.org

Lifestyle | The Dawn of Immersive, Experiential Theater in Denver

Ultra5280 was invited to a sneak peek, trial-run performance of the new “360-degree, multi-sensory experience” that is “Sweet & Lucky”. While this article will give you a much better idea than we had, there’s no way we could (or would) describe in words what the “Sweet & Lucky” experience truly was. For starters, everyone’s experience is different. . .

The fact that this immersive theater experience has made it to Denver is a compliment to us Coloradoans. It is a signal to the country that Denver has a palate the size of New York that longs to be satiated. With a bursting food, art and music scene paired with an attitude of possibilities, Denver has been making our tastes known. Zach Morris, co-creational director from the New York company, Third Rail Projects, joined his hometown of Denver to bring our city the experience we have been craving. "We're interested in presenting works in nontraditional contexts, in public spaces," says Morris, "Sweet & Lucky’s" lead director. "As traditional theater is to a novel, our work is to a poem."

Upon our arrival, rather than entering and mingling about in an ordinary lobby, we were instantly transported into the story through an antique store and old timey bar carefully crafted by the Denver Center for the Performing Arts' props team. You mingle and explore the various rooms of the antique store until the "show" begins.

You then embark on this journey, literally you’re walking around, exploring all different scenes, environments, people, periods of time, spectrums of emotion, memories, etc. You’re led through a series of performances with a small group of other spectators that occasionally changes throughout, and it seems like they purposefully take you away from who you came with right from the start. At one point you’re completely alone in a scene with an actor, who speaks to you directly, and waits for you to reply. Honestly, it’s a bit nerve-racking. You never know what to expect or when you’ll be called on to step up and be a part of the scene, which definitely happens. The creators and actors are aware of the emotional response that must elicit in someone coming to an unfamiliar experiential show, who is then separated from the one familiar thing (person) they came with, and is led away into all these different scenes and situations.

As you are led from scene to scene, all of the other small groups are revolving around experiencing the same scenes, but in different orders. Thus, the order you see it in will surely alter your perception of the story. The performance is broken into bits and pieces and the viewers are supposed to fit it together to create a cohesive story. Another factor that makes the experience/story unique to each, is all of the props that you are invited to touch and hold; you will inevitably see and read things while other spectators are busy with other props. You will also hear and see slightly different things depending on how closely you’re paying attention, and feel different emotions depending on all of these factors, along with personal context you overlay. This makes for a truly unique storytelling experience. You are living the story, rather than being told or shown... and in that way you are also creating the story. So just as everyone’s version of any experience is unique to each, so too is the experience you have at “Sweet & Lucky”. And that seems to be the whole point.

At the end of the show, the entire audience is brought back into the large theater space where it began, and just as we all saw the same start to the story, we see the same ending. All that was in between are the fragmented and few memories of a long life lived, and the various tangible objects left behind. Just as in real life, our memories are scattered, subjective, and unique to each.

In an era where some of the most prestigious arts are struggling to bring in an audience, Denver Center for the Performing Arts has embarked on innovative avenues to draw in the Millennial generation. Their plan over the next couple years is to expand the use of the Center to include education, new structures and grassroots programming while also taking their audience from under the dome to completely transform their viewing experience. In a time where we are more likely to interact through technology, our generation is in need of these moments out of the ordinary. We are in need of human interaction and testing the boundaries, in a hands-on way. “Sweet & Lucky” gives this to us through an immersive experience where we become a part of the action, not only able to interact with the actors, but able to touch the props, create our own story lines, and feel that we were a crucial component in the storytelling process.

Sweet & Lucky runs May 17 - June 25. The show is for ages 21 and older, and an on-site bar opens 45 minutes before show time. Two performances June 1 and 8 are open to patrons 18 and older. You will be walking or standing for the duration of the show, and purses and backpacks are not permitted.

http://www.sweetandluckydenver.com/

Tiffany Candelaria & Theresa Dixon