Immerse Yourself in Theater & A Wild Party

“You’re invited to leave your inhibitions (and Prohibitions) behind for a decadent 360° party in the Roaring Twenties. Indulge your inner flapper as you mingle with an unruly mix of vaudevillians, playboys, divas, and ingénues in a Manhattan apartment lost in time.” From the creators of last year’s immersive, experiential theater performance that we also covered, “Sweet & Lucky” the DCPA’s new Off-Center show “The Wild Party” is a similar experience but different. Confused? That’s good – the creators and two-time True West Award-winning Director Amanda Berg Wilson, want the audience to be surprised, it makes for a more exciting experience. Read on if you would like to know a little bit more of what to expect.

The audience begins the experience all together in a main room and is free to mingle about, have a seat, and buy drinks. Then the show begins with a fun musical act and the performers weave through the audience dancing, singing, and chatting with the crowd. They playfully ask groups of us to follow them into another room until the entire audience has been transported to the other side. Unlike “Sweet & Lucky” where the different groups of audience members are separated and experience different scenes in different rooms, all of the audience members of “The Wild Party” end up in one room together to watch one big show play out all around them.

The First Act is one big party, full of fun, flappers, booze and tunes, accompanied by a seven-piece band! You really feel like you’re at the party with the scenery (and almost everyone in attendance dressed up), the music, and the actors interact with the audience, teaching us to dance for example. We saw people of all ages around us, from 21 to 70’s, dressed up and having a fun night out. “Our goal with each audience member is that they are going to experience a kind of release that you only have when you have had a really wild night," Director Wilson said.

Debauchery turns disastrous in the Second Act as the party’s guest’s gin sets in. The plot thickens dramatically as the actors’ songs and actions reveal their feelings bubbling under the surface and themes such as race, gender, and religion are brought to the forefront. Accompanying this we hear adult language, see uncomfortable situations, nudity and violence. The mood gets real serious towards the end and almost makes us loose our buzz too, even after we all just had a complimentary shot of gin. The show’s tagline is, “When the night is over…No matter what happens…Blame it on the gin.” We came away with many different interpretations of the true moral of the story and left wishing the best parts of the party weren’t over. 

The Wild Party is a musical by Michael John LaChiusa and a book by him and George C. Wolfe. The story is based on the 1928 Joseph Moncure March narrative poem of the same name. The show features all local actors, and runs most nights October 11 - 31, 2017 at The Hangar at Stanley Marketplace. Tickets for Sat, Oct 28 and Tue, Oct 31 include a post-show party with a costume contest, music, and dancing!

Immerse yourself in a sinful good time; hurry tickets are almost sold out.

https://www.wildpartydenver.com/get-tickets/

By Tiffany Candelaria

Circus 1903 | The Greatest Show on Earth

What a spectacular show we saw last night at Denver’s Buell Theater! “Circus 1903 – The Golden Age of Circus” thrilled us with its amazing performances, death-defying feats, extraordinary puppet elephants and comical ringleader. We were on the edge of our seats for nearly every act, along with all the kiddos in attendance. So yes, we think this is likely the greatest circus show on Earth right now!

This Broadway play isn’t exactly a play, but rather a re-creation of the vintage-era Circus, showcasing all of the hard work, diverse personalities, odd talents, glitz, danger, and showmanship that the Circus was known for in its heyday.  The show pairs producers of the world’s largest magic show, “The Illusionists” with the award winning puppeteers from “War Horse”, and an incredible cast of people who are top notch performers from all four corners of the world. During the show I wasn’t sure if the ringleader was just saying these performers were from Italy, Germany, France, etc. because it would heighten the thrill, but reading the program after the show these performers are by no means pretending, not even the ringleader. They are all bona fide award-winning performers of their craft from across the globe. A few of the performers have been in Cirque du Soleil, most have been on TV, and nearly all have won numerous awards for their talents. This show and its performances are the real deal and we still can’t believe the incredible things we saw! We also can’t imagine what casting must have been like, but it’s always the best of the best to make it on Broadway and we were truly blown away.

To give you an idea of what you’ll see, and we absolutely encourage you to go see this show, is a blend of comedy, puppetry, and a slew of incredible, unique, death defying performances. The show is nonstop entertainment and had us laughing so hard we had tears at times, holding our breath and looking away for moments, and frequently clapping and shouting at the top of our lungs to show our amazement. As the ringleader reminded us, “A lifetime of dedication goes into these performances that last a few fleeting moments under the big top.” These people are literally risking their lives in front of our eyes, so the least we can do is support them in the craft they’ve pursued. From various acrobatic acts, to out of control contortionists, to aerialists, jugglers, cycling tricks, highwire acts and puppetry, you’ll see it all at “Circus 1903” except clowns, which is fine by us.

The show itself runs two hours with a 20-minute intermission to catch our breath and get some popcorn. Curtain times are 7:30pm Thursday – Sunday with 2pm weekend matinees. Family Four Packs for $99 are available in Level 2 and 3 for all evening performances with promo code SAVE. You can also save 50% on Level 2 seats with promo code CIRCUS17THX.

http://www.denvercenter.org/circus1903

Review by Tiffany Candelaria | Photos by Mark Turner Images

DCPA's Motown The Musical!

Opening night of "Motown The Musical" hosted by the DCPA at Buell Theater was a delight for people of all ages to enjoy. We know a lot of people say that, but it's true. We were seated next to two older gentlemen getting a kick out of all the references to highlights of their own lives and seeing some of their favorite tunes come to life. Behind us, a girl no older than 10 wiggled around in her seat along with the dance numbers with a smile bigger than her mother’s seated next to her. It was everything we wanted in a musical and would recommend this one to everyone. Hurry over as the show only runs through Sunday the 19th before the magical "Circus 1903" takes the stage on February 21st!

The story of Berry Gordy, creator of Motown, begins in 1938 in Detroit where Gordy feels defeated by the music industry and not getting enough credit for the hits that he is writing. His solution? Start a recording company and compete to your best ability. Gordy ends up launching the careers of Motown legends Diana Ross and the Supremes, Michael Jackson and the Jackson 5, Marvin Gaye, Smokey Robinson, and many more. This musical performs all of their hits arranged alongside their stories acted out onstage.

The show not only covers Gordy’s personal life, but the rise of the young Diana Ross and a very politically charged and racially divided past, specifically through Gordy and his artists' struggles in the music industry. An essential piece to making a story come to life is the characters and the actors that play them. So trust us when we say it came to life with this cast. Allison Semmes as Diana Ross, is a dream, and the whole cast was wonderful when it came to portraying the personas of Motown hotshots on the come up. Seeing characters like Marvin Gaye and Rick James come to life through hilarious mannerisms, angelic singing voices, funky dance moves, and great costumes was a wonderful way to spend a Wednesday night.

Diana Ross’s debut in the song “Reach Out And Touch” was an interactive piece where two audience members joined Semmes (Ross) in singing the song, while the crowd was asked to hold hands and sway. Definitely the cheesiest part, but after experiencing the whole thing, we all felt like a Motown family, haha! Grooving to songs like “Do You Love Me”, “My Girl”, and “Brick House” reminded everyone in the room of not only some of our favorite songs, but also the man behind them and the struggles he endured to make “black music” into popular music. This production also reminded us, as I’m sure it did many others, that our country is in a similar state of social and political disorder, but proved there are ways to remind folks of that while also bringing them together. And that's how Motown was born!

denvercenter.org   Review by Lina Skrzypczak