Music | Best Coast at The Bluebird Theatre Review

Monday night, September 21, the LA based band Best Coast gave Denver a live listen of their new Album California Nights. California Nights is Bethany Cosentino and Bobb Bruno’s third full-length album, released in May, and is a slightly more sophisticated and thoughtful album covering their reoccurring themes of relationships and life in California. They are not the same band they were five years ago, and Cosentino’s growth both as a musician and coming into her late twenties, certainly shines through.

 

Cosentino explains how this album, “embodies the rich lightness and stinging darkness of a California state of mind” and the juxtaposition of what people perceive as LA with the sunny weather, big palm trees, and celebrities, contrasted with the intrepid, lonely reality. She says the title was a good fit for many reasons, one being there is a song on the album by the same name, which, “is one of the biggest, most different songs we’ve written” and the fact that she does much of her creative thinking at night. “It also ties in with the idea that, as natives of LA, Bobb and I know a lot of spots and places within and around the city that a lot of people don't really know or care to know,” Cosentino reveals. “There is a grittiness and darkness to Los Angeles. We related to the idea that things may LOOK or SOUND fun and upbeat, but they may not actually always BE that way, much like our songs.”

If you’ve never heard them live, there is certainly a ruggedness to their sound that is playfully contrasted with Cosentino’s light, flirty vocals. Their new lineup included three guitars, making them a five-piece band instead of the normal three or four. Though most of their songs can be played with three to four people, the new additions fit in and complemented their new, more sophisticated sound. Hearing them live, especially with the added guitars, was even grittier than on their record, as you could feel the sound reverberate around you and see the drummer and guitarists moving their arms a million miles a minute. Meanwhile, Cosentino is up there in the center going through all these different facial expressions as she sings about her many experiences, thoughts, and feelings. It was an emotional experience to watch them play, as I think all live art should be and the crowd responded.

The Bluebird was packed with all different types of people. Most of which was comprised by couples who would be singing or swaying along, not appearing that one had been dragged along by the other. In fact, most of the “woo!” ing came from guys, which is not too surprising. One would think Cosentino has a handful of men to choose from in any given city, yet her lyrics indicate she is still pining away for one good guy to give her a lasting happy love song.

Best Coast played a full hour and a half set with no breaks, just a minute at most between songs to say thank you, which she did after every song, and to take a drink. The majority of the set came off of their current California Nights, though they did play a few throwback favorites such as, “When I’m with You” and “Our Deal” and closed with their most popular track “Boyfriend”. Cosentino made it apparent she knew what a crowd pleaser that song is by joking, “I’ll give you $5 if you can guess what song we’re about to play to close off the night.” There were no outfit or set changes, special effects or special guests, but Best Coast brought their energy and authenticity to Bluebird Theater Monday night and that’s all us fans can really ask for. 

Review: Tiffany Candelaria 

of Montreal | Bluebird Theatre | October 8th, 2014

Of Montreal, photo credit: Matt Smith

Last night our photo hound Matt Smith was sucked in a psychedelic black hole by of Montreal at the Bluebird Theatre. Featuring a slew of crazy costumes, wild visuals projected behind them, and even crazier dancers on stage amidst the performance, this eclectic super-show was just that: a wild show for all to try. 

Openers Pillar Point kicked off the night with some ambient rock, with tones reminiscent of surf rock of the 50's. A wonderful band to set the tone of the evening, listeners settled in easily at the beginning of the night, bobbing their heads to songs like "Cherry" and "Diamond Mine". Vocalist Scott Reitherman was accompanied on stage by a drummer and synth player, whiel he held down vocals, guitars, and keys as well. Despite a quick set, we were enthralled, and curious for more. 

photo credit: Matt Smith

of Montreal made haste when taking to the stage, and getting right into their eclectic visual barrage. Described by Matt as "dancey, jam-band-ish, and funky all wrapped in a bed of indie pop". Lead singer Kevin Barnes took to stage in an all-white ensemble featuring a blonde wig and sunglasses,  projections began bouncing off of his costume, and on to the gigantic 10ft tall puppet (?) lurking behind him. Accompanied on stage by dancers in different costumes, and even at one point a pair of boxing pigs, the show's visual dynamic seemed to change and phase in and out as easily as the mood of the music. Barnes' experimental styles mixed with funky-pop dance beats hit you like a fever. You can't escape your body's need for movement as the show progresses. Most definitely a trippy, outrageous, visually stimulating experience, Of Montreal lives up to the expectations their music lay for it's listeners. Check out more photos below of last night's adventure into curiousity. 

- Matt Smith & Maddie Casey


Miami Horror, Boy Hollow, Option4 at the Bluebird Theater: 11/3: Review

November third at the Bluebird was definitely an interesting mix of music, but Denver certainly came ready to dance.  Hailing from Colorado Springs, Option4 opened up the night with some quality house mixes, amping the crowd’s energy level.  He never stopped moving for his entire set, and you couldn’t help but move with the music.  He remixed the likes of Bag Raiders and Duck Sauce to great effect, and I expect that Option4’s name will become more recognizable as time goes on.  Another Colorado native, Boyhollow, brought a bit of a heavier, more dubstep-ish sound to the stage, mixing his first song into the last beats of Option4’s closing number.   Most easily recognizable were his remixes of Cut/Copy and Chromeo, all while playing a variety of music. Boyhollow is one of the hardest working DJs in the Denver area. He is the resident DJ at LipGloss and is constantly spinning four or five nights a week throughout the city. Not only is he a solid DJ with a local following, but a truly humble guy.  He shook hands in the crowd while supporting Miami Horror.

At first, the transition from Boyhollow to Miami Horror seemed strange, going from Boyhollow’s mohawk and electro music to the bouncy group of Australian hipsters.  However, once Miami Horror got their electro disco sound rolling, the transition was seamless.  Much to the crowd’s delight, they played almost continuously for the entire set, with a twenty minute stint.  The energy never faded throughout the night, and they proved to be absolute crowd pleasers.  As the chords faded on their final song, the crowd called for an encore, and got what they asked for.  The encore consisted of two songs, the last being a take on The Talking Heads’ “Once in a Lifetime,” bringing a smile to my face.  But, the crowd wasn’t satisfied just yet, and the cries of “One more song!” were rewarded with a second encore. It was apparent that this crowd wasn’t done with the foursome.  Josh Moriarty, the lead singer, proclaimed that this is why they loved Denver, and the music continued.


Laura